Slade School of Fine Art
Slade Interim Show 2022

MA/MFA Interim Show
Open to the public 6 - 11 October
Weekdays: 9:30am - 8:30pm
Weekend: 9:30am - 6:30pm

  1. Substitution Jutsu, Luyin Cao, 2022, cardboard, artificial grass, branch and clay

    ©the artist

    Luyin Cao

    Previous Next
  2. Mt., Isobel Mei, 2022, video still, 9:50 mins

    ©the artist

    Isobel Mei

    Previous Next
  3. How To Fit In, Eva Bachmann, 2022, (installation) digital photography, household objects, 2.5 m x 3 m

    How to Fit In installation refers to resourceful ways when trying to adapt as an outsider.

    ©the artist

    Eva Bachmann

    Previous Next
  4. The Age of Innocence, Hannah Uzor, 2022, acrylic on canvas, 120 x 150 cm

    ©the artist

    Hannah Uzor

    Previous Next
  5. Untitled, George Richardson, 2022

    ©the artist

    George Richardson

    Previous Next
  6. Appendage, Sam Meredith, 2022, cast concrete, 40 x 15 x 10 cm

    ©the artist

    Sam Meredith

    Previous Next
  7. Container, Yuecen Wang, 2022, oil on paper, 77 x 57 cm

    ©the artist

    Yuecen Wang

    Previous Next
  8. Marey's Chronograms, Anna Sebastian, graphite on paper, 140 x 130 cm 

    ©the artist

    Anna Sebastian

    Previous Next
  9. Paper Icon, C PANNELL, 2022, copy paper, wax, 

    ©the artist

    C PANNELL

    Previous Next
  10. Claudia 2, Marietta Mavrokordatou, 2022, gelatin silver print, 28 x 17.5 cm

    ©the artist

    Marietta Mavrokordatou

    Previous Next
  11. Prometheus, Jiayu Zhang, 2020, plaster, wood, lamp, etc

    ©the artist

    Jiayu Zhang

    Previous Next
  12. Holding behind the curtain, Georgia Dymock, 2022, oil on linen, 90 x 90 cm

    ©the artist

    Georgia Dymock

    Previous Next
  13. Primal, Cheuk Yiu Lo, 2022, cement, wood, PVA, 38 x 44 x 140 cm

    ©the artist

    Cheuk Yiu Lo

    Previous Next
  14. “who are they now?”, Chaney Manshu Diao, 20 Sept 2022, mixed media, text, installation, 35cm (W) x 120cm (L) x 180 cm (H)

    ©the artist

    Chaney Manshu Diao

    Previous Next
  15. Untitled, Sam Ge, 2022, steel, 150 x 150 x 1900 (mm)

    ©the artist

    Sam Ge

    Previous Next
  16. Futures Trading, Martha Horn, 2022, film, 8 minutes 30 seconds

    ©the artist

    Martha Horn

    Previous Next
  17. Landscape, Yu Li, September 2022, installation, 6 x 82 x 10 cm

    In the paradigmatic genre of Chinese education, the expression of thoughts and imagination of distant landscapes.

    ©the artist

    Yu Li

    Previous Next
  18. Skin Flicks, Billy Sassi, 2022, 4K digital video

    ©the artist

    Billy Sassi

    Previous Next
  19. Quick Change, Lydia Merrett, 2022, oil on canvas, 140 x 90 cm

    ©the artist

    Lydia Merrett

    Previous Next
  20. Father Flying, Akshay Bhoan, 2022, clay and acrylic

    ©the artist

    Akshay Bhoan

    Previous Next
  21. Sounding House, Isabelle Pead , 2022, steel greenhouse, speakers, sound, mixer 

    ©the artist

    Isabelle Pead

    Previous Next
  22. ANSWER, Jiayu Sun, 15 September, 2022, video, performance, 7minutes, 40 seconds. 20 seconds of performance after video

    As the phantom limb pain occurred to him every single day, Jiayu decided to embark on a search for the lost part of his body. His journey goes through an imaginary world, reality and cyberspace, whereby he is exploring memories, everyday life, and information remaining on the internet. Finally, Jiayu finds the other part of his body and returns back to the physical world.

    ©the artist

    Jiayu Sun

    Previous Next
  23. Here Trees Are 45ft Apart, Junyi Lu, 2022, oil, acrylic, pastel, spray paint, marker, thread, aluminum wires, found objects on canvas; tree models, plastic wine glasses, plasticine, and chains on pub tablessize: 140 x 170 x 70 cm

    ©the artist

    Junyi Lu

    Previous Next
  24. Odradek 04 (Wearable translation device), Federico Arani, 2022, ceramics, prosthetic gelatin, medieval metal artifacts, fabric, brass, rubber.

    A part of a harness with unclear function and composition, halfway between prosthesis and extension, is left inside the space. A device clearly disconnected from its original time and location, is filled only with its hypothetical potential.

    ©the artist

    Federico Arani

    Previous Next
  25. Untitled, Claudia Rose, 2022, various made and found objects. Site specific, dimensions variable

    A warm hum from somewhere to be far away

    ©the artist

    Claudia Rose

    Previous Next
  26. Lack of Presence, Camilo Parra, 2022, charcoal on paper, 75  x 75 cm

    ©the artist

    Camillo Parra

    Previous Next
  27. Dinosaur Colour Chart 1993, Chika Annen, March 2022, print

    The chart shows sampling colours of dinosaurs from magazines, “Dinosaur!”, published in 1993. 
    The visual representation of dinosaurs and their association with cultural/social demands surrounding science have changed over time. Dinosaurs are very particular beings; The evidence of their existence is mere remains and have never been seen as living creatures during human history. Due to their monstrous nature, we are familiarised with their unimaginable appearances, but our impression of these dinosaurs demonstrates the contemporary romanticisation of mythical creatures.

    ©the artist

    Chika Annen

    Previous Next
  28. Seabed, Raphaella Pester, 2022, gouache on grid paper, 29.7 x 42 cm

    ©the artist

    Raphaella Pester

    Previous Next
  29. Undesirable Marks of Time: Breakfast Bowl , Kate Towsey, 2022, soluble mixed media, motion-sensor water drip, 14 x spoons of porridge

    Exploring the fragility of memory, domestic objects disfigure in response to their audience.

    ©the artist

    Kate Towsey

    Previous Next
  30. untitled (fleeting though), Gabrielle Bejani, 2022, collage on napkin, 30.5 x 32 cm

    ©the artist

    Gabrielle Bejani

    Previous Next
  31. Untitled, Ilona Balaga, 2022, ceramics, dimensions variable

    ©the artist

    Ilona Balaga

    Previous Next
  32. No one conjures our dust, Sofia Bordin, 2021, iron and resin, 210 x 80 x 40 cm

    ©the artist

    Sofia Bordin

    Previous Next
  33. Installation view of 'Articulations' showing 'Compassionate Attention' at The National Festival of Making, Blackburn, UK, Hannah Leighton-Boyce, 2022, plaster, video, ceramic, greaseproof paper, polystyrene, intaglio print, dimensions variable

    ©the artist

    Hannah Leighton-Boyce

    Previous Next
  34. Door Ajar, Frederika Dalwood, April 2022, digital collage, 60 x 80 cm

    ©the artist

    Frederika Dalwood

    Previous Next
  35. 1 ۵ 1, Sana Iqbal, 2019-2021, 8.5 ft x 5.3 ft  (each photograph is 5-inch x 5-inch)

    We identify ourselves by the choices we make, by the things we choose to keep in our possession and those we discard. Objects because of their tangibility, echo of a user’s persona and reflect the spaces they could or must have once inhabited. They reveal an alternate reality. By creating an archive of found objects from abandoned sites, Sana investigates how socio-political factors play into this identity of a person and that of a nation’s. Furthermore, the contribution of this identity in the concept of  ‘other’ which ultimately paves way for creation of boundaries (whether they be imaginary or real). 

    ©the artist

    Sana Iqbal

    Previous Next
  36. The Red Queue, Ivan Kashdan, 2022, film, 1 min 22 sec

    ©the artitst

    Ivan Kashdan

    Previous Next
  37. Playpen Paralysis, Rosie Kennedy and Robbie Campbell, 2022, still image from 5:00 min video

    ©the artist

    Rosie Kennedy

    Previous Next
  38. EGO DEATH, Christina Cushing, 2022, C-type print,  60 cm × 84 cm

    ©the artist

    Christina Cushing

    Previous Next
  39. Sympathetic Magic, Philip Speakman, 2022, HD video and text, 07:04 minutes (looped)

    ©the artist

    Philip Speakman

    Previous Next
  40. Obnexious, John Sant, acrylic on canvas, 35 x 37 inches

    ©the artist

    John Sant

    Previous Next
  41. Cold Fell, Rachel Irons, July 2022, oak, 150 x 70 mm

    ©the artist

    Rachel Irons

    Previous Next
  42. thinking about art when the world is burning, blithe germ, 2022, plant matter, rocks, paper, screen print on rag, and recovered waste materials

    ©the artist

    blithe germ

    Previous Next
  43. Shadow of ABC, Yuuki Horiuchi, 2021, single channel video,  4 min loop

    ©the artist

    Yuuki Horiuchi

    Previous Next
  44. Pores, Corrine Chan, 2021/22, animation, 5:58 mins

    ©the artist

    Corrine Chan

    Previous Next
  45. untitled, Andy Wyatt, installation

    ©the artist

    Andy Wyatt

    Previous Next
  46. Untitled, Indianna Solnick, 2022, mixed media, approx. 15 x10 x 6 cm

    ©the artist

    Indianna Solnick

    Previous Next
  47. Dad Magnets, Ty Locke, 2022, fridge freezer, paper, magnets, 

    A fridge freezer covered in 734 fridge magnets of my dad holding me as a baby.

    ©the artist

    Ty Locke

    Previous Next
  48. I'll be seeing you, Sophie Rogers, May 2022, mixed (laser cut perspex, computer pins, PC cooling fans, metal bolts, LED pin badges)

    ©the artist

    Sophie Rogers

    Previous Next
  49. The Shadow of a Doubt, Kristian Alanson Bruce, 2022, oil on linen, 34 x 26 in

    ©the artist

    Kristian Alanson Bruce

    Previous Next
  50. ◻︎4DC4, Yiwen Li, September 2022, acrylic paint on canvas,  61 x 51 cm, 20.3 x 25.4 cm, 30.5 x 82 cm

    ©the artist

    Yiwen Li

    Previous Next
  51. Traces to Cavity, Harry Smithson, 2022, wax, cardboard, mahogany, speakers, cables, synthesiser, 4000 x 1500 x 1000 mm

    ©the artist

    Harry Smithson

    Previous Next
  52. Siren’s soup, Yeonsu Ju, 2022, oil on canvas, 120 x 100cm

    ©the artist

    Yeonsu Ju

    Previous Next
  53. Lion, Lies and Love, Yuyue He, 2022, documentary film, 1080p, 33mins long

    The film starts from a question: “Would you still love me, if I have nothing left?”. It explores love and expectations, fear and understanding from the perspective of social and intimate relationships. This documentary film would like to discuss confusion and anxiety, especially for young people. In the end, the film is looking for the answers about love: If "having nothing left" and "love" can coexist? Or if one has nothing left, is it still possible to continue the love?

    ©the artist

    Yuyue He

    Previous Next
  54. Subject to Change, Jesse Rivers, 2022, acrylic and ink on canvas, 71 cm x 56 cm 

    ©the artist

    Jesse Rivers

    Previous Next
  55. The Other Site, Yijue Zeng, July 2022, paper, 60 x 60cm; 17 x 10 cm

    ©the artist

    Yijue Zeng

    Previous Next
  56. Woman with child, Antonia Caicedo Holguin, 2022, oil on canvas, 82 x 81 cm

    ©the artist

    Antonia Caicedo Holguin

    Previous Next
  57. Shelf, Jamie Hammill, Shelf, 2022, hardwood, sisal twine, plywood chair part, wool textile, stainless steel, cinnamon, 100 x 50 x 25 cm

    ©the artist

    Jamie Hammill

    Previous Next