Layers
I'm interested in why he ate the paint. Was it because he just liked the taste, or liked putting things in his mouth? Or maybe it was to reveal what was underneath the paint?
'car' by Harry Crews
Harry crews, American novelist. Born: June 6, 1935 had a youthful fixation with cars in South Georgia.
Towards a futurology of the object: Part 1 - Road Trip
…from the Nightshift.
Autonomy and Justice
Autonomy: the ability and right to make informed decisions. In a medical context this relates to decisions about treatment and lifestyle choices.
Object Speed: A response to Knowledge Conversation
This is in response to Simon’s eloquently argued call for a momentary silence.
The Turn of the Screw
We could read the crude and disproportionate screw in the base, in the context of it’s place as a teaching tool in the Pathology Collection, as a response to the fact that the car committed it’s ow
Object Retrieval and Abject Refusal: Conversational Processes in Knowledge Conservation (& all Attendant Silences)
Halfway in to this post I note that Richard has pre-empted me and is working on post entitled 'The Turn Of The Screw', which suggests the violence of curatorial processes, which here I will extrapo
Sweetness
16.31 15-10-09 (Began Writing): A thought recurring, for some days now: How / when does object begin and end?
Licking
We licked the red paint on the 'Object Retrieval' bus to see if it would poison us. We now await the results.
Objecthood (First Thoughts)
16.31 15-10-09 (Began Writing): A thought recurring, for some days now: How / when when does object begin and end?