Azeri Aghayeva
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Red Rooms, Azeri Aghayeva, 2021, acrylic on canvas, 180 x 210 cm
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Red Rooms 2, Azeri Aghayeva, 2021, acrylic on canvas, 130 x 185 cm
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Wei Fu, Azeri Aghayeva, 2020, acrylic on canvas, 42 x 59 cm
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Donny Emerges from Darkness 1, Azeri Aghayeva, 2020, acrylic on canvas, 75 x 100 cm
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Donny Emerges from Darkness 2, Azeri Aghayeva, 2020, acrylic on canvas, 70 x 95 cm
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Taking de dag out, Azeri Aghayeva, 2021, acrylic on canvas, 170 x 180 cm
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Men Don't Play, Azeri Aghayeva, 2020, aquatint etching, 25 x 35 cm
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Good Doggo Bad Doggo, Azeri Aghayeva, 2021, monotype print on paper, 35 x 25 cm
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Untitled, Azeri Aghayeva, acrylic on canvas, 85 x 145 cm
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Azeri Aghayeva – BA/BFA
Price List
1
Red Rooms
2021
Acrylic on Canvas, 180 x 210 cm
£1,5602
Red Rooms 2
2021
Acrylic on Canvas, 130 x 185 cm
£1,2603
Wei Fu
2020
Acrylic on Canvas, 42 x 59 cm
£3004
Donny Emerges from Darkness 1
2020
Acrylic on Canvas, 75 x 100 cm
Price on request5
Donny Emerges from Darkness 2
2020
Acrylic and Oil on Canvas, 75 x 95 cm
Price on request6
Taking de dag out, diptych
2021
Acrylic on Canvas, 170 x 180 cm
£1,4007
Men Don’t Play (Edition of 10)
2020
Copperplate etching with aquatint on Fabriano Rosapina paper, 25 x 35 cm
£200 (per edition)8
Good Doggo Bad Doggo
2021
Monotype print on Fabriano Rosapina paper, 35 x 25 cm
£2309
Untitled
2021
Acrylic on Canvas
Price on RequestFor all sales enquiries, please contact the artist directly.
All works are unframed, unless otherwise stated, and prices shown do not include postage and packaging.
NB: The Slade School of Fine Art does not act as an intermediary for sales, nor is it liable for any disputes arising from sales of artworks.
Azeri Aghayeva – BA/BFA
I’ve been saying that films are used by the government to distract us from our banal lives by exchanging them with the many emotionally charged, eventful ones on screen. I don't believe it, but I’ve found it’s a good way to cut a conversation dead, since I can't stand watching movies.
Over the lockdown I began eating up my own conspiracy to satiate my unfulfilled life that was squeezed dry by the hands of a pandemic. A cinematic lens has since entered my work. Objects have animated expressions, blurring lines between characters and props, flattened figures within a fish-bowl atmosphere collapse perspective, leopards are on leashes, the moon peers down at the ‘Hellton’ hotel, carpets have fallen in love with other carpets. My paintings take place within a room where everything is happening whilst the world looking in is frozen. All at once, everything exists and ceases to exist.