Yuli Serfaty
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Steady States (walkthrough documentation excerpt), Yuli Serfaty, 2021, Interactive digital environment, sound, dimensions and duration vary
Full walkthrough: https://vimeo.com/556951266/3fe1132e82
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Steady States (installation documentation, Slade School of Fine Art), Yuli Serfaty, 2021, steel, 105 x 112 x 105 cm, hand blown glass, dimensions vary
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Steady States (installation documentation, Slade School of Fine Art), Yuli Serfaty, 2021, earthenware ceramic, 30 x 60 x 30 cm, hand blown glass, various dimensions
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Steady States (installation documentation, Slade School of Fine Art), Yuli Serfaty, 2021, Hand blown glass, dimensions vary
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Between Geologies, V, Yuli Serfaty, 2021, archival pigment ink on Southbank Smooth acid free paper, 86 x 115 cm
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Deserted Landscape (installation documentation), Yuli Serfaty, 2020, found objects, steel, ceramic, concrete, photographic print, CGI
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Deserted Landscape (installation documentation), Yuli Serfaty, 2020, steel, stoneware ceramic, ceramic glazing, concrete
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Deserted Landscape; a personal ontology of southern Israel's deserted territory (excerpt), Yuli Serfaty, 2020, full HD video, colour, sound, 00:12:55
Full film: https://vimeo.com/395521757
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Ein Akev (film still), Yuli Serfaty, 2020, CGI, 00:01:19 (infinite loop)
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Techno Anima (Arabian Oryx, Israeli fire zone), Excerpt, Yuli Serfaty, 2019, full HD video, colour, sound, CGI, 00:11:40
Full film: https://vimeo.com/363292823
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Yuli Serfaty – MA/MFA
Curriculum Vitae
Yuli Serfaty – MA/MFA
Exposing the power dynamics between landscape and politics, by telling a landscape that is intrinsically political, is the core motivation of my practice. I use fictional, experienced and documented elements to narrate semi-realistic, research-based worlds, in which landscape and subject boundaries are merged, reversed, or otherwise interwoven.
My work is inherently immersive, and often includes sonic, digital, and physical elements. My world-actors specifically comprise of field recordings, synthesised sounds, video, photography, writing, CGI, video game engines and found objects. I often refer to this entanglement of media as the entanglement of living beings in any other ecosystem. Storytelling is paramount in my work. From ancient mythology to contemporary politics, stories shape how we see our worlds; by telling Other stories, I suggest both criticism of real landscapes and an imagining of Other hierarchies.
My practice is concerned with making space for alternative power structures, in which the marginalised, the unimportant and the overlooked take central stage.