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    This piece is 26 x 16 cm large. A digital painting of a hand holding a pamphlet has been laser etched onto a rectangular piece of wood. Surrounding the laser etched image is a rectangular piece of pine with curve edges. The laser etched image has a hole at the top which sits onto a wooden backing attached with a wooden peg.
    Caption
    With Care, Chloe Beddow, 2024, digital painting laser etched onto wood, surrounded by pine, 26 x 16 cm

    ©the artist

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    This piece is 85 x 60 x 15 cm. It is a metal hand rail attached to the wall with three pink ribbons holding up a blue transparent acrylic sheet which has lace laser etched onto the back of it.
    Caption
    Held, Chloe Beddow, 2024, Lace etched onto blue transparent acrylic, pink satin ribbon, metal, 85 x 60 x 15 cm

    ©the artist

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    This piece is 152 x 70 cm, it is a constructed rectangular Pine frame which is divided into rectangular compartments. One compartment near the bottom of the piece is filled with a foot mid step that is a digital painting laser etched onto wood, the other compartments are stretched crimson velvet, one of these rectangular velvet compartments has a metal buckle in the bottom left corner taken from a coat.
    Caption
    Passage, Chloe Beddow, 2024, digital painting laser etched onto wood surrounded by velvet, pine, metal buckle, 152 x 70 cm

    ©the artist

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    This piece is a digital painting of the side profile of a female figure moving through space laser etched onto frosted acrylic. The image is leaning on the floor against a metal aluminium sheet creating a grey reflective backdrop for the frosted white acrylic sheet with the laser etched image.
    Caption
    Embedded, Chloe Beddow, 2024, digital painting laser etched onto frosted acrylic leaning against aluminium sheet, 52 x 72 cm

    ©the artist

Chloe Beddow – MA/MFA

London based artist.

My work is grounded within painting, although I use varying materials and processes to explore time, place and space. My work engages with the politics and poetics of space, how it is both freeing, restrictive and connected to accessibility. I am curious with who the world is built, designed and decorated for and how this in turn creates lack of functionality and therefore an invisibility of certain people in particular spaces. Within this, I explore how absence is perceived and how the duality of material and painting can specifically highlight the presence of women in the constructed world.