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    In , Objects of artist’s faces repeatedly cast with sugar are hung on 3 tiers of round shaped frames in a presentable way to demonstrate today’s aura-less face. The term ‘face’ in title is used as a meaning of the ‘surface’ opposite to얼굴(ulgul), face in Korean, which means shape of one’s spirit, to highlight the exhibitionism, superficiality and vacuousness inherent to the faces these days.
    Caption
    Faces, Hyeejin Bae, 2024, sugar and metal, 170 x 150 x 130 cm (diameter of each frame)

    ©the artist

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    Table with 6 white belly button plates (2 with food on them), and chair.
    Caption
    Belly button plates, Hyeejin Bae, 2024, ceramic, dimensions variable

    ©the artist

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    Photo, blurred of woman walking past 3 red artworks.
    Caption
    Jams, Hyeejin Bae, 2024, silkscreened strawberry jam on paper, 34.3 x 24 cm (each)

    ©the artist

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    4 people dressed in black, faces covered in pink cotton candy.
    Caption
    Cotton candies, Hyeejin Bae, 2024, performance

    ©the artist

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    3 x semi circular display stands, each with colourful silicone heads and legs.
    Caption
    Display stands, Hyeejin Bae, 2019, silicone and metal, 70 x 35 cm, 100 x 50 cm, 105 x 55 cm

    ©the artist

Hyeejin Bae – MA/MFA