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    A man wears a device on his face, up his nose, that limits his peripheral vision.
    Caption
    The Assuming Device, Jack Kinsman, 2023, balsa wood, glue, wire and foam ear plugs, 1.25m x 0.75m x 0.15m

    A device for assuming the role of a prey animal.

    ©the artist

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    A drawing of work made, in progress and to be made
    Caption
    Prophecy Drawing 1, Jack Kinsman, 2024, paper, graphite, ink

    A drawing of works cohabiting in a future building. I have made, am making and plan to make the scene depicted.

    ©the artist

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    A sample of 6 tiles made from matted recycled hair bound with jesmonite.
    Caption
    Hair Tiles, Jack Kinsman, 2024, hair from the barber's shop floor, jesmonite

    Utilising waste hair to make tiles for construction. An attempt to make use of your body as a waste producing machine to adapt our built environment in a more sustainable fashion.

    ©the artist

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    A drawing populated by work I had made and dreamed of making in my first year. Walking furniture, baleen buildings and pop-up book houses.
    Caption
    A year’s population of frightened work, Jack Kinsman, 2023, ink on paper

    A drawing populated by work I had made and dreamed of making in my first year. Walking furniture, baleen buildings and pop-up book houses.

    ©the artist

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    4 metre long baleen extrude from a doorframe, turning it into the mouth of a whale.
    Caption
    The Baleen Doorway, Jack Kinsman, 2022, wooden frame and cardboard

    4 metre long baleen extrude from a doorframe, turning it into the mouth of a whale. I question: how afraid am I when faced with the mouth of an animal?

    ©the artist

Jack Kinsman – MA/MFA

Jack Kinsman is a London-based artist with a background in architecture. His work explores the cross over between the two disciplines while constantly questioning how our bodies, as animals, relate to their environment. He is fascinated by how predatory and prey animals determine waste and so his work often repurposes waste material.