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TIM HEAD: COMPLETE BIOGRAPHYEDUCATIONSt Martin's School of Art, London, Postgraduate Diploma in Sculpture, 1969-70University of Newcastle-upon-Tyne, BA Honours, Fine Art, 1965-69 TEACHINGSlade School of Fine Art, Universtity College London, 1976-2011Goldsmiths College School of Art, University of London, 1971-79 AWARDS, FELLOWSHIPS AND PRIZESArtist's Residency, Structural Bioinformatics and Computational Biochemistry Unit, Department of Biochemistry, University of Oxford, UK, 2006-7SciArt Award, The Wellcome Trust, 2006 First Prize, John Moores 15th Exhibition, Walker Art Gallery, Liverpool, UK, 1987 Elephant Trust Award, 1985 Fellowship at Clare Hall and Kettle's Yard, Cambridge, UK, 1977-78 Gulbenkian Foundation Visual Arts Award, 1975 COMMISSIONSDesigns for Liberty Art Fabrics, Liberty, London, 2011Open Field and Light Cycle, Department of Biochemistry, University of Oxford, UK, 2008 Float, digital projection for 'Light Up Queen Street', Corporation of London, 2005-6 Artwork for billboard poster for various London Underground stations, Becks Beer Art Campaign, 2005 A Hard Day's Night, CD-ROM, edition 1000. Commissioned by eyestorm.com, 2000 'Cultural Ties', Kapil Jariwala/Westzone Gallery, London, 2000 Artistic Director for The Eurythmics Peacetour, touring worldwide, 1999 'Shopping', FAT, London, 1999 Light Rain, Artezium Arts and Media Centre, Luton, UK, permanent work, 1998 Blue Skies, Chatham Historic Dockyard, City of Rochester Upon Medway, Kent, UK, 1997 'ActualFactual', artwork for collaborative dance performance with Laurie Booth and Scanner, Queen Elizabeth Hall, London and European tour, 1997 Artwork for Tate Gallery Centenary, 1997 Artwork for The Mule - newspaper and internet project, 1997 Artwork for 'Spellbound' Art and Film issue, Sight and Sound magazine, 1996 Floor Design, Science Museum, London, 1995 Film for Jesus' Blood, Gavin Bryars concert, Queen Elizabeth Hall, London and European tour, 1993-94 Design for artist's label, Becks Beer in conjunction with exhibitions at the Whitechapel Art Gallery, London and Manchester City Art Gallery, UK, 1992 Design for Artist's T-shirt, Tate Gallery, London, 1991 Tate Gallery Christmas Tree, Tate Gallery, London, 1989 Video commissioned by ICA and BFI for Nelson Mandela 70th Birthday tribute concert, Wembley Stadium, UK, 1988 Designs commissioned by Georgina Godley for her Spring/Summer 87 collection, 1987 Public project commissioned by Manchester City Festival and The Artangel Trust, Manchester, UK, 1986 Sculpture commission, National Museum of Photography, Film and Television, Bradford, UK, 1985 TOP PUBLIC COLLECTIONSThe Arts Council of Great BritainAuckland City Art Gallery, Auckland, New Zealand The British Council Collection The British Museum, London City Art Gallery, Southampton, UK The Contemporary Arts Society Fitzwilliam Museum, Cambridge, UK The Gulbenkian Foundation, London John Creasey Museum, Salisbury, UK Leeds City Art Gallery, UK National Museums and Galleries on Merseyside, Walker Art Gallery, Liverpool, UK The Solomon R Guggenheim Museum, New York Tate Gallery, London The Victoria and Albert Museum, London TOP SOLO EXHIBITIONSWilkinson Gallery, London, 2011'Raw Material', Huddersfield Art Gallery; Kettle's Yard, Cambridge, UK, 2009-10 Matthew Bown Gallery, London, 2007 The Drawing Gallery, London, 2006 'Nervous System', part of the 'Einstein Spaces' series, EnBW Headquarters, Berlin, 2005 Osterwalder's Art Office, Hamburg, Germany, 2002-3 Arctic Ocean, Camden Lock, London, 2002 Osterwalder's Art Office, Hamburg, Germany, 1997 Frith Street Gallery, London, 1995 Kunstverein Freiburg, Germany, 1995 Kunstverein Heilbronn, Germany, 1995 Stadtgalerie Saarbrücken, Germany, 1995 Kunstverein Braunschweig, Germany, 1995 Osterwalder's Art Office, Hamburg, Germany, 1995 City Art Gallery, Manchester, UK, 1993 Frith Street Gallery, London, 1993 Whitechapel Art Gallery, London, 1992 Nicola Jacobs Gallery, London, 1990 Anthony Reynolds Gallery, London, 1988 Marlene Eleini Gallery, London, 1988 Torch Gallery, Amsterdam, The Netherlands, 1988 Hillman Holland Gallery, Atlanta, Georgia, USA, 1988 'Cold Turkey', Discreetly Bizarre Gallery, London, 1988 Anthony Reynolds Gallery, London, 1986 'The Tyranny of Reason', ICA, London, 1985 'Collisions in Empty Space', Provincial Museum, Hasselt, Belgium, 1983 'Distance', Vanilla Studios, London, 1981 Locus Solus, Genoa, Italy, 1981 British Pavilion, Venice Biennale, Venice, Italy, 1980 Gallery Bama, Paris, 1980 'Two Installations', Third Eye Centre, Glasgow, UK, 1980 Institute of Modern Art, Brisbane, Australia, 1979 Paola Betti, Milan, Italy, 1979 'Two Installations', Serpentine Gallery, London, 1979 'Present', Rowan Gallery, London, 1978 'Back to front', Kettle's Yard Gallery, Cambridge, UK, 1978 Henie-Onstad KunstCenter, Hovikodden, Norway, 1978 'Appearance/Apparition', Anthony Stokes Gallery, London, 1977 Rowan Gallery, London, 1976 'Displacements', Rowan Gallery, London, 1975 'Interference', Arnolfini Gallery, Bristol, UK, 1975 Whitechapel Art Gallery, London, 1974 'Infra-red/3 shots in the dark', Garage Gallery, London, 1974 Gallery House, London, 1973 'Infra-red/3 shots in the dark', Mitchell Street Studio, London, 1973 Museum of Modern Art, Oxford, UK, 1972 Mitchell Street Studio, London, 1970 TOP GROUP EXHIBITIONS'The Indiscipline of Painting', Tate St Ives, Mead Gallery, University of Warwick, 2011-12'Broken Stillness', Salisbury Arts Centre, IDO Gallery, ISEA 2011, Istanbul, 2011 'Signs of a Struggle, Photography in the Wake of Post Modernism', V&A Museum, London, 2011 '40 Artists: 80 Drawings', Burton Art Gallery & Museum, Devon, 2011 'Several Interruptions, an Exhibition Celebrating 15 Years of the Slade Centre for Electronic Media in Fine Art', Front Lodge, University College London, 2011 'Room Divider', Wilkinson Gallery, London, 2010 'Paintings from the 80's', Matthew Bown Gallery, Berlin, 2009 'Recent British Drawing', Trinity Contemporary, London and New York, 2009 'Upside down/inside out', Kettle's Yard, Cambridge, UK, 2009 'Passports - Works from the British Council Collection selected by Michael Craig-Martin', Palazzo Reale, Padiglione d'Arte Contemporanea, Milan, 2009 'In Between the Lines: Recent British Drawings', Trinity Contemporary, London, 2009 '40 Artists - 40 Drawings', Victoria & Albert Museum, London, 2009 '40 Artists - 80 Drawings', The Drawing Gallery, Walford, Shropshire, UK, 2009 'John Moores Prizewinners 1957-2006', Walker Art Gallery, Liverpool, UK, 2008-9 'Close to the Surface - Digital Presence', ICA, London, 2008 'Slow Fields, Susan Collins & Tim Head', Osterwalders Art Office, Hamburg, Germany, 2008 'Terry Atkinson, Stuart Brisley, Tim Head', Fieldgate Gallery, London, 2008 'Art Futures', Bloomberg Space, London, 2008 'Sixty Years of the Arts Council Collection', Hayward Gallery, London, 2007 '40 Artists - 40 Drawings', The Drawing Gallery, London, 2007 'Pairs', The Drawing Gallery, London, 2006 'Framed', Slade Centre for Electronic Media, Research Centre, Woburn Square, London, 2006 'Drawing Inspiration', Abbot Hall Art Gallery, Kendal, Cumbria, UK, 2006 'Wunderkammer', The Collection, Lincoln, UK, 2005-6 'C'est Arrivé Demain', Biennale d'Art Contemporain de Lyon, France, 2003-4 'Days Like These', Tate Triennial exhibition of contemporary British Art, Tate Britain, London, 2003 'Generator', Spacex Gallery, Exeter; Liverpool Biennial and First Site, Colchester, UK, 2002-3 'Once Again', John Hansard Gallery, Southampton, UK, 2002 'The Language of Things', Kettle's Yard, Cambridge, UK, 2001 'Multiplication', British Council Touring exhibition, 2001- 'Live in Your Head: Concept and Experiment in Britain 1965-75', Whitechapel Art Gallery, London and Museo do Chiado, Lisbon, Portugal, 2000-1 'Close Up', Kunsthaus Baselland, Kunstverein Freiburg im Marienbad and Kunstverein Hannover, Germany, 2000-1 'Look Out', Wolverhampton Art Gallery, Bluecoat Gallery, Liverpool, Pitshanger Manor Gallery, London, and Wolsey Art Gallery, Christchurch Mansion, Ipswich, UK, 2000-1 'Point of View: works from a private collection', Richard Salmon Gallery, London, 2000 'Things: Assemblage, Collage and Photographs in Britain since 1936', Norwich Gallery, Norwich, UK, 2000 'D.I.Y', Glengall Road, London, 2000 'Plug Art', Camden Lock, London, 2000 'Art to Z', Zwemmer Gallery, London, 1999 'Thinking Aloud', curated by Richard Wentworth, Kettle's Yard, Cambridge, UK; Cornerhouse, Manchester UK; Camden Arts Centre, London, 1998-99 'Family', Inverleigh House, Royal Botanic Gardens, Edinburgh, 1998 'Root', Chisenhale Gallery, London, 1998 'Kunst und Windenergie zur Weltausstellung', Rathaus Hanover, Germany, 1998 'A Cloudburst of Material Possessions', curated by Paul Bonaventura, National Touring Exhibitions, South Bank Centre, London, 1997 'Threats and Containments', Concourse Gallery, Byam Shaw School of Art, London, 1997 'The Inner Eye', curated by Marina Warner, National Touring Exhibitions, South Bank Centre, London, 1996 'Still But Not Silent', Tate Gallery, London, 1996 'Voyages Sans Passport - Work from the Collection of the British Council', 1996 La Galerie de L'Ancienne Poste, Calais, France, 1996 'Happy End', Kunsthalle, Dusseldorf, Germany, 1996 'Geben und Nehmen', Schloss Plüschow, Mecklenburgischen Künstlerhaus, Plüschow, Germany, 1996 'Paper Art 6', Leopold-Hoesch Museum der Stadt Düren, Düren, Germany, 1996 'Artist's Christmas Cards', Atrium Bookshop, London, 1995 'Double-click', Kingsgate Gallery, London, 1995 'Open House', Kettle's Yard, Cambridge, UK, 1995 'From Picasso to Woodrow: Recently Acquired Prints and Portfolios', Tate Gallery, London, 1995 'Witness: Photoworks from the Collection', Tate Gallery, Liverpool, 1995 'Endzeitstimmung', Gallery A, Stuttgart, Germany, 1994 'Red Ribbon Art Show 94', Imagination Gallery, London, 1994 'Post-Decadence', Café Gallery, London, 1993 'B Art Code' Exhibition, L'Arsenal Du Charroi, Brussels, Belgium, 1992 'Opie - Head - Albrecht - Kurimoto', Foro Per L'Arte Contemporanea, Scavi Archeologici, Verona, Italy, 1991 'The Golden Age', Kunstverein Stuttgart, Germany, 1991 'De-composition - Constructed Photography in Britain', British Council Touring Exhibition, 1991 Harry Zellweger Gallery, Basel, Switzerland, 1991 'Observed/Constructed Realities', Pomeroy Purdy Gallery, London, 1991 'Objects for the Ideal Home - The Legacy of Pop Art', Serpentine Gallery, London, 1991 'Second Sight', Galerie Conrads, Neuss, Germany, 1990 'Gambler', Building One, London, 1990 'Seven Obsessions', Whitechapel Art Gallery, London, 1990 'Corporate Identities', Cornerhouse, Manchester, 1989 'After the Empire: New Expressions in British Art', The Ruthven Gallery, and Festival Gallery, Lancaster, Ohio, USA, 1989 'Invisible Cities', Leeds City Art Galleries, Leeds, UK, 1989 'Through the Looking Glass', Barbican Art Gallery, London, 1989 'Subject:Object', Nicola Jacobs Gallery, London, 1989 'Prospect-Photographie', Frankfurter Kunstverein, Germany, 1989 'Das Konstruierte Bild Photographie, Arrangiert und Instilliert', Kunsthalle Munich, Germany and touring Germany, 1989 'Tekens van Verzet', Museum Fodor, Amsterdam, The Netherlands, 1989 'John Moores Liverpool Exhibition 16, Walker Art Gallery, Liverpool, UK, 1989 'Ten Years at Nicola Jacobs Gallery', Nicola Jacobs Gallery, London, 1989 'The Tree of Life', Cornerhouse, Manchester, and touring, UK, 1989 'It's a Still Life', works from the Arts Council of Great Britain Collection, Plymouth City Museum and Art Gallery, Plymouth, and touring, UK, 1989 'The British Picture', LA Louver, Venice, California, USA, 1988 'Playing: For Real - Toys and Talismans', Southampton City Art Gallery and touring, UK, 1988 'The Day Book Exhibition', Smith's Gallery, London, and touring, UK, 1988 'Object and Image - Aspects of British Art in the 1980s', City Museum and Art Gallery, Stoke-on-Trent, UK, 1988 '100 Years of Art in Britain', Leeds City Art Galleries, UK, 1988 'World Fax 88', Kunstraum, Neuss, Germany, and Center for Advanced Visual Studies, MIT, Cambridge, Massachusetts, USA, 1988 'The New British Painting', The Contemporary Arts Center, Cincinnati; Chicago Cultural Center, Chicago; Haggerty Museum, Marquette University, Milwaukee, Wisconsin; South Eastern Center for Contemporary Art, Winston-Salem, North Carolina; Grand Rapids Art Museum, Michigan, USA, 1988 'John Moores Liverpool Exhibition 15', Walker Art Gallery, Liverpool, UK, 1987 'Appropriate Pictures', Anthony Reynolds Gallery, London, 1987 'The British Edge', ICA, Boston, USA, 1987 'On A Plate', Serpentine Gallery, London, 1987 'Photography: Art and Image', Oldham Art Gallery, Oldham, UK, 1987 'State of the Nation', Herbert Art Gallery and Museum, Coventry, UK, 1987 Galerie Wittenbrink, Munich, Germany, 1987 'Mysterious Coincidences', The Photographers' Gallery, London, and touring internationally, 1987 'Imposters', Interim Art, London; Cambridge Darkroom, Cambridge, UK,1986 'Works on Paper', Anthony Reynolds Gallery, London, 1986 'Lumieres: Perception - Projection', CIAC, Montreal, Canada, 1986 'Contrariwise - Surrealism and Britain 1930-1986', Glynn Vivian Art Gallery, Swansea, and touring, UK, 1986 'Food as Politics', Camerawork, London, 1985 '10th Anniversary Exhibition', Third Eye Center, Glasgow, UK, 1985 'The Irresistable Object: Still Life 1600-1985', Leeds City Art Galleries, Leeds, UK, 1985 'New Art I', Anthony Reynolds Gallery, London, 1985 'Sculpture Alternatives - Aspects of Photography and Sculpture in Britain 1965-1982', Tate Gallery, London, 1985 'Umbang Mit Der Aura', Stadtische Galerie, Regensburg, Germany, 1985 'Stuart Brisley, Ron Hasleden and Tim Head', Acme Studios, London, 1984 'The British Art Show', Arts Council of Great Britain, touring exhibition, UK, 1984 'Connections', ICA, Philadelphia, USA, 1983 'Perspectives 83', Art International Kunstmesse, Basel, Germany, 1983 'Aperto 82', XXXXth Venice Biennale, Venice, Italy, 1982 'Sound Works, Tape-Slide, Performance', Tate Gallery, London, 1982 'Deserto', Museo Civico, Bergamo, Italy, 1981 'Camden Artists', Swiss Cottage Library, London, 1981 'Erweiterte Fotografie', Weiner Secession, Vienna, Austria, 1981 'British Sculpture in the Twentieth Century', Whitechapel Art Gallery, London, 1981 'Photography as Medium', British Council touring exhibition, 1981 'Construction in Process in the Art of the 70s', 1981 'Installation, Performance, Film, Video', Tate Gallery, London, 1981 'British Art Now: An American Perspective', Solomon R Guggenheim Museum, New York, and touring USA; Royal Academy of Arts, London, 1980 'Beyond Surface', ICC, Antwerp, Belgium, 1980 'Dance Umbrella 80', (with Miranda Tufnell, Dennis Greenwood, Sue McClennan and Hugh Davies), Whitechapel Art Gallery, London, and touring The Netherlands, 1980 'The Human Factor', Arts Council, UK, touring exhibition, 1980 'Artist and Camera', Arts Council, UK, touring exhibition, 1980 'Un certain art anglais', ARC, Musée d'Art Moderne de la Ville de Paris, Paris, 1979 'JP2', Palais des Beaux-Arts, Brussels, Belgium, 1979 '3rd Sydney Biennale', Art Gallery of New South Wales, Sydney, Australia, 1979 '6th British International Print Biennale', Bradford City Art Gallery, UK, 1979 'Front Gallery/Back Gallery', Nigel Greenwood Gallery, London, 1979 Arnolfini Gallery, Bristol, UK, 1978 'Documenta VI', Kassel, Germany, 1978 '10th Paris Biennale', Musée d'Art Moderne de la Ville de Paris, Paris, 1977 'On Site', Arnolfini Gallery, Bristol, UK, 1977 'British Artists' Prints 1972-77', British Council touring exhibition, 1977 'Reflected images', Kettle's Yard, Cambridge, UK, 1977 'Arte inglese oggi', Palazzo Reale, Milan, Italy, 1976 'Zeit, Worte und die Kamera: Fotoarbeiten englischer Kunstler', Kunstlerhaus, Graz, Austria, 1976 '8th Paris Biennale', Musée d'Art Moderne de la Ville de Paris, Paris, 1973 'Open Air Sculpture Exhibition', Holland Park, London, 1972 'Arts Spectrum', Alexandra Palace, London, 1971 'New Sculpture', Arts Council of Great Britain touring exhibition, 1970 TOP BIBLIOGRAPHYBriers, David, 'Tim Head: Raw Material', Art Monthly, no.333, February 2010Lubbock, Tom, 'Great Works: Cow Mutations 1987', The Independent, 2 October 2009 Unruh, Rainer, 'Slow Fields - Susan Collins and Tim Head at Osterwalders Art Office', Kunstforum International, 194, 2008 Sumpter, Helen, 'Tim Head', Time Out, London, 29 March 2006 Kimmelman, Michael, 'London is Agog Over Art, Especially Saatchi's', The Arts, The New York Times, Tuesday 29 April 2003 Herbert, Martin, 'Days Like These: Tate Triennial Exhibition of Contemporary British Art 2003', Art Monthly, no.265, April 2003 Cumming, Laura, 'British Bullseye', Review Section, The Observer, 2 March 2003 Searle, Adrian, 'This is a Stick-Up: Days Like These, Tate Britain, London', Visual Arts Section, The Guardian, 25 February 2003 Tufnell, Ben, 'Tim Head', Days Like These: Tate Triennial Exhibition of Contemporary British Art 2003, Tate Publishing, 2003 Lapp, Axel, 'Tim Head: Osterwalder's Art Office, Hamburg, Germany', Art Monthly, no.262, December-January 2002-3 Berg, Stephan, 'Blasse Schatten Hinter Fahlen Feuern zu den Arbiten von Tim Head', Monographie Section, Kunstforum International, vol.141, July-September 1998 Garnett, Robert, 'Open House, Kettle's Yard, Cambridge', Art Monthly, no.185, April 1995 Berg, Stephan, 'In the Underworld of the Zombies', Tim Head, Kunstverein Freiburg, Germany, 1995 Happel, Reinhold, 'Exquisite Corpse: Notes on a New Slide Installation by Tim Head', Tim Head, Kunstverein Freiburg, Germany, 1995 Bonaventura, Paul, 'Creatures from Another World: Tim Head Interviewed', Tim Head, Kunstverein Freiburg, Germany, 1995 Hatton, Brian, 'Tim Head in Logoland', Art Monthly, no.163, February 1993 Archer, Michael, 'Tim Head, Whitechapel Art Gallery, London', Artforum, vol.XXXI, no.6, February 1993 Livingstone, Marco, 'Return of the Body-Snatcher', Tim Head, (exhibition catalogue), Whitechapel Art Gallery, London, 1992 Livingstone, Marco, 'Objects for the Ideal Home', Objects for the Ideal Home: The Legacy of Pop Art, (exhibition catalogue), Serpentine Gallery, London, 1991 Renton, Andrew, 'Plotting: Angela Bulloch, Tim Head, Darrell Viner', Performance, no.62, November 1990 Hilton, Tim, 'A Room with a View', The Guardian, UK, 29 August 1990 Want, Christopher, 'Tim Head', Art Monthly, no.138, London, July-August 1990 Head, Tim, 'State of the Art', It's a Still Life, (exhibition catalogue), Arts Council of Great Britain, London, 1989 Caiger-Smith, Martin, 'The Art of Photography, Blurring the Boundaries', The RA Magazine, no.25, London, winter 1989 Bonaventura, Paul, 'Tim Head', Tim Head, (exhibition brochure), Torch Gallery, Amsterdam, The Netherlands, 1988 Mellor, David, 'British Photography: Towards a Bigger Picture - Romances of Decay/Elegies for the Future', Aperture, no.113, winter 1988 Hatton, Brian, 'Tim Head', Artscribe, no.70, July 1988 Searle, Adrian, 'Tim Head', Artforum, June 1988 Cooke, Lynne, 'Mysterious Coincidences', Artscribe, no.69, May 1988 Graham-Dixon, Andrew, 'Alienation and All That', The Independent, UK, 15 March 1988 Hall, James, 'No Risk Policy', New Statesman, 11 March 1988 Currah, Mark, 'Tim Head - Anthony Reynolds', City Limits, 10 March 1988 Bredin, Lucinda, 'Making their Mark on Dresses', Evening Standard, London, 8 March 1988 Withers, Jane, 'Head Case', The Face, no.95, UK, March 1988 Kent, Sarah, 'Review', Time Out, 21 February 1988 Currah, Mark, 'Mogodons and Munchies', City Limits, 18 February 1988 Spalding, Frances, 'Continuities and Inconsistencies in Current British Art', 100 Years of Art in Britain, (exhibition catalogue), Leeds City Art Galleries, Leeds, UK, 1988 Watson, Gray, 'Tim Head', Tim Head, (exhibition catalogue), Anthony Reynolds Gallery, London, 1988 Currah, Mark, 'Tim Head', City Limits, 29 December 1987 Januszczak, Waldemar, 'Colors You Can't Believe', The Guardian, UK, 24 December 1987 Greenberg, Reesa, 'Tim Head', C Magazine, Winter 1987 Currah, Mark, 'Tim Head', City Limits, 5 March 1987 Kent, Sarah, 'Tim Head', Time Out, London, 4 March 1987 Talbot, Linda, 'Prize Perceptions', Ham and High, London, 13 February 1987 Feaver, William, 'Mutation in the Meadow', The Observer, UK, 1 February 1987 Vaizey, Marina, 'British Art Makes a Name for Itself', The Sunday Times, UK, 25 January 1987 Lothian, Murdoch, 'Heads You Win', The Guardian, UK, 24 January 1987 Head, Tim, 'Cow Mutations', John Moores Liverpool Exhibition 15, (exhibition catalogue), Walker Art Gallery, Liverpool, UK, 1987 Head, Tim, 'Plenty', The British Edge, (exhibition catalogue), Institute of Contemporary Art, Boston, USA, 1987 Head, Tim, 'Statement', State of the Nation, (exhibition catalogue), Herbert Art Gallery and Museum, Coventry, UK, 1987 Watson, Gray, 'Tim Head at Anthony Reynolds', Artscribe, September-October 1986 Bonaventura, Paul, 'Tim Head. Il faut etre de Sons temps', Artefactum, vol.3, no.15, September-October 1986 Lee-Woolf, Mary, 'Tim Head in Conversation with Mary Lee-Woolf', Artline, vol.3, no.5, summer 1986 Tyson, Matthew, 'Tim Head', Nike, no.14, July-September 1986 Roberts, John, 'Tim Head', Art Monthly, no.97, London, June 1986 Currah, Mark, 'Tim Head', City Limits, 8 May 1986 Bonaventura, Paul, 'The State of the Art', Metropolis M, 1985 Head, Tim, 'Preface', The Tyranny of Reason, (exhibition catalogue), Institute of Contemporary Arts, London, 1985 Robertson, Alexander and Miranda Strickland-Constable, 'On Still Life', The Irresistible Object: Still Life 1600-1985, (exhibition catalogue), Leeds City Art Galleries, Leeds, UK, 1985 Roberts, John, 'The Politics of New Technology', AND Journal of Art, no.5, 1985 Dormer, Peter, 'Fitting Images', New Statesman, 1 March 1985 Fisher, Jean, 'Introduction', Tim Head, (exhibition catalogue), Provinciaal Museum, Hasselt, 1983 Head, Tim, 'Compass', Tim Head - Compass, (exhibition brochure), Tate Gallery, London, 1982 Cork, Richard, 'A Great Place for a Man to Meet a Woman', Evening Standard, 24 June 1981 Head, Tim, 'Statement', Aspects, no.12, 1980 Thompson, Jon, 'Venice - Aspects of the 1980 Biennale', The Burlington Magazine, November 1980 Nuridsany, Michel, 'Tim Head: Le reel en question', Le Figaro, 11 April 1980 Hughes, Robert, 'From Sticks to Cenotaphs', Time, Il February 1980 Forgey, Benjamin, 'Tim Head', The Washington Star, 3 February 1980 Ferrari, Corrina, 'L'unité e il suo doppio', Domus, February 1980 Zimmer, William, 'London Stalling', Soho News, 31 January 1980 Wolff, Theodore F, 'British Art Now: A Joy to Behold', Christian Science Monitor, 30 January 1980 Caroli, Flavio, 'I fatti della vita di Tim Head', Corriere della Serra, 6 January 1980 Head, Tim, 'Eight from England - Images that make themselves', Art News, vol.79, no.1, January 1980 Waldman, Diane, 'British Art Now: An American Perspective', British Art Now: An American Perspective, (exhibition catalogue), Solomon R Guggenheim Museum, New York, 1980 Lynton, Norbert, 'Tim Head', Tim Head, (exhibition catalogue), British Pavilion, XXXIXth Venice Biennale, Venice, Italy, 1980 Davies, Alan, 'Tolly Cobbold', Art Monthly, no.26, London, May 1979 Shepherd, Michael, 'Tim Head', Arts Review, March 1979 Borlase, Nancy, 'Paris Flights', Sydney Morning Herald, Sydney, Australia, 24 February 1979 Page, Suzanne, 'Un certain art anglais... a l'ARC', L'Oeil, no.282-283, January-February 1979 Huser, France, 'Calligraphies et Graffiti', Le Nouvel Observateur, 29 January 1979 Crichton, Fenella, 'Tim Head: Recent Work', Tim Head: Recent Work, (exhibition catalogue), Kettle's Yard, Cambridge, UK, 1978 Davies, Alan, 'Review', Art Monthly, London, May 1978 McEwan, John, 'Bait and Hook', The Spectator, 22 April 1978 Searle, Adrian, 'Tim Head at the Rowan Gallery', Artscribe, no.5, February 1977 Wallworth, B, 'Tim Head', Arts Review, vol.XXVIII, no.26, November 1976 Feaver, William, 'Showing the Flag', The Observer, UK, 14 March 1976 Head, Tim, ''Real Space' versus 'Art Space'', Arte inglese oggi, (exhibition catalogue), Palazzo Reale, Milan, Italy, 1976 Crichton, Fenella, 'Space as Conundrum. The Work of Tim Head', Art International/Art Spectrum, vol.XIX, no.8, October 1975 Tagg, John, 'In Camera', Studio International, vol.190, no.976, July-August 1975 Crichton, Fenella, 'London', Art International/Art Spectrum, vol.XIX, no.5, May 1975 Shepherd, Michael, 'Euan Uglow and Tim Head', Arts Review, vol.XXVI, no.9, 3 May 1975 Brooks, Rosetta, 'Review', Studio International, vol.189, no.974, March-April 1975 Burr, James, 'Round the Galleries', Apollo, vol.CI, no.974, January 1975 Feaver, William, 'Tim Head', Financial Times, UK, 27 January 1975 Gosling, Nigel, 'Revelations at the Supermarket', The Observer, UK, 19 January 1975 Cork, Richard, 'How the Camera Lies', Evening Standard, London, 16 January 1975 Tisdall, Caroline, 'Displacements', The Guardian, UK, 16 January 1975 Overy, Paul, 'Artist's Artist', The Times, UK, 14 January 1975 Vaizey, Marina, 'Slogans in Style', The Sunday Times, UK, 12 January 1975 Head, Tim, 'Glossary - A Preliminary Sketch', Flash Art, no.48-49, October-November 1974 Russell, John, 'One Pair of Eyes', The Sunday Times, UK, 12 May 1974 Cork, Richard, 'Review', Evening Standard, London, 2 May 1974 Fuller, Peter, 'Tim Head', Arts Review, 24 January 1974 Head, Tim, Reconstruction, Idea Books, London, 1973 H A, 'Gallery on Show', The Critics |
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