A selection of publications authored and edited by staff whilst full time members of the department.
Most Recent
![]() | Cadence KinseyWalled Gardens: Autonomy, Automation and Art After the InternetOxford University Press, 2021 | ||
![]() | Hannah Hölling (ed.)Art, Materiality, and Continuity Since the 1960s, University of Chicago, 2022 | ![]() | Iris Moon and Richard Taws edsTime, Media, and Visuality in Post-Revolutionary France. Bloomsbury, 2021. |
![]() | Stephanie SchwartzWalker Evans: No Politics. University of Texas Press, 2020 | ![]() | Hanna Hölling, Francesca G. Bewer and Katharina AmmannThe Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Culture. Brill, 2019 |
![]() | Alison WrightFrame Work: Honour and Ornament in Italian Renaissance Art. Yale, 2019 |
Older Publications
Robert Mills, Derek Jarman's Medieval Modern
D.S. Brewer, 2018
Hanna Hölling, Paik's Virtual Archive: Time, Change, and Materiality in Media Art
University of California Press, 2017
Andrew Hemingway, Landscape between Ideology and the Aesthetic: Marxist Essays on British Art and Art Theory, 1750-1850
Brill, 2016
Mechthild Fend, Fleshing Out Surfaces: Skin in French Art and Medicine, 1650-1850
Manchester University Press, 2016
Richard Taws and Genevieve Warwick eds., Art and Technology in Early Modern Europe
Wiley-Blackwell, 2016
Mignon Nixon ed., Mary Kelly (October Files 20)
MIT Press, 2016
Diana Dethloff, Tessa Murdoch, Kim Sloan and Caroline Elam eds., Burning Bright: Essays in Honour of David Bindman
UCL Press, 2015
Robert Mills, Seeing Sodomy in the Middle Ages
University of Chicago Press, 2015
Maria Loh, Still Lives: Death, Desire, and the Portrait of the Old Master
Princeton University Press, 2015
![Petra Lange-Berndt, Dietmar Rübel eds., Mark Dion: The Academy of Things](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/langeberndt-dion-academy.jpg?itok=AvIhEhkT)
Petra Lange-Berndt, Dietmar Rübel eds., Mark Dion: The Academy of Things
Walther Koenig, 2015
Andrew Hemingway and Alan Wallach, eds., Transatlantic Romanticism: British and American Art and Literature, 1790-1860
University of Massachusetts Press, 2015
Petra Lange-Berndt ed., Materiality
MIT Press, 2015
Petra Lange-Berndt and Dietmar Rübel, Memphis Schulze: Catalogue Rainsonné
Snoek, 2014
David Bindman, Warm Flesh, Cold Marble: Canova, Thorvaldsen and Their Critics
Yale University Press, 2014
Geraldine Pratt and Rose Marie San Juan, Film and Urban Space: Critical Possibilities
Edinburgh University Press, 2014
Frances Stracey, Constructed Situations: A New History of the Situationist International
Pluto Press, 2014
T.J. Demos, The Migrant Image: The Art and Politics of Documentary During Global Crisis
Duke University Press, 2013
T.J. Demos, Return to the Postcolony: Spectres of Colonialism in Contemporary Art
Sternberg Press, 2013
Sarah James, Common Ground: German Photographic Cultures Across the Iron Curtain
Yale University Press, 2013
![Natasha Eaton, Colour, Art and empire: Visual Culture and the Nomadism of Representation](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/eaton-colour.jpg?itok=jDmeW5UB)
Natasha Eaton, Colour, Art and empire: Visual Culture and the Nomadism of Representation
I.B. Tauris, 2013
Natasha Eaton, Mimesis Across Empires: Artworks and Networks in India, 1765-1860
Duke University Press, 2013
Richard Taws, The Politics of the Provisional: Art and Ephemera in Revolutionary France
Penn State University Press, 2013
Warren Carter, Barnaby Haran and Frederic Schwartz eds., Renew Marxist Art History
Art Books, 2013
![Andrew Hemingway, The Mysticism of Money: Precisionist Painting and Machine Age America](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/hemingway-mysticism.jpg?itok=6woq0kzk)
Andrew Hemingway, The Mysticism of Money: Precisionist Painting and Machine Age America
Periscope, 2013
Briony Fer, Gabriel Orozco: Thinking in Circles
The Fruitmarket Gallery, 2013
Tamar Garb, Distance and Desire: Encounters with the African Archive
Walther collection, 2013
![Petra Lange-Berndt, Dietmar Rübel and Dorothee Böhm, A World of Wild Doubt](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/langeberndt-world.jpg?itok=DlsxRN1r)
Petra Lange-Berndt, Dietmar Rübel and Dorothee Böhm, A World of Wild Doubt
Sternberg Press, 2013
Charles Ford, The Scientific Manuscripts of Roger North
Online publication, 2013-ongoing
Charles Ford, Hoogstraten's Visible World: Inleyding tot de Hooge Schoole der Schilderkonst
Online publication, 2013-ongoing
Robert Mills and Emma Campbell, eds., Rethinking Medieval Translation: Ethics, Politics, Theory
Boydell & Brewer, 2012
Mechthild Fend, Melissa Hyde and Anne Lafont, eds., Plumes et Pinceaux: Discours de femmes sur l'art en Europe (1750-1850)
Les presses du réel, 2012
![T.J. Demos and Hilde van Gelder, eds., In and Out of Brussels: Figuring Postcolonial Africa and Europe in the Films of Herman Asselberghs, Sven Augustijnen, Renzo Martens, and Els Opsomer](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/demos-brussels.jpg?itok=7Bd6LP6V)
T.J. Demos and Hilde van Gelder, eds., In and Out of Brussels: Figuring Postcolonial Africa and Europe in the Films of Herman Asselberghs, Sven Augustijnen, Renzo Martens, and Els Opsomer
Leuven University Press, 2012
Tom Learner, Rachel Rivenc and Emma Richardson, From Start to Finish: De Wain Valentine's Gray Column
Getty Conservation Institute, 2011
Mechthild Fend, Les limites de la masculinité: L'androgyne dans l'art et la théorie de l'art en France (1750-1830)
La Découverte, 2011
![Tamar Garb, Figures and Fictions: Contemporary South African Photography](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/garb-figures.jpg?itok=On6Tb6DX)
Tamar Garb, Figures and Fictions: Contemporary South African Photography
V&A Publications, 2011
Rose Marie San Juan, Vertiginous Mirrors: The Animation of the Visual Image and Early Modern Travel
Manchester University Press, 2011
![Petra Lange-Berndt et al eds., Polke & Co. We Petty Bourgeois! Comrades and Contemporaries: Documentation of an Exhibition at the Hamburger Kunsthalle](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/langeberndt-polke-and-co.jpg?itok=fmUtk2RG)
Petra Lange-Berndt et al eds., Polke
Walther Koenig Books, 2010
T.J. Demos, Dara Birnbaum:Technology/Transformation: Wonder Woman
MIT Press, 2010
David Bindman and Louis Gates eds., The Image of the Black in Western Art
Harvard University Press, 10 volumes, 2010-2015
![Petra Lange-Berndt, Animal Art: Präparierte Tiere in der Kunst, 1850-2000](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/langeberndt-animal.jpg?itok=_D2gA8ZT)
Petra Lange-Berndt, Animal Art: Präparierte Tiere in der Kunst, 1850-2000
Silke Schreiber, 2009
![Briony Fer, Eva Hesse: Studiowork](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/fer-hesse.jpg?itok=4g-LY_9O)
Briony Fer, Eva Hesse: Studiowork
Fruitmarket Gallery and Yale University Press, 2009
![Petra Lange-Berndt and Dietmar Rübel, eds., Sigmar Polke: We Petty Bourgeois! Comrades and Contemporaries: The 1970s](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/langeberndt-polke.jpg?itok=hs1_xwDS)
Petra Lange-Berndt and Dietmar Rübel, eds., Sigmar Polke: We Petty Bourgeois! Comrades and Contemporaries: The 1970s
Walther Koenig Books, 2009
![David Bindman, The History of British Art 1600-1870](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/bindman-british.jpg?itok=8xmWJPVu)
David Bindman, The History of British Art 1600-1870
Tate Publishing, 2008
Tamar Garb, The Body in Time: Figures of Femininity in Late Nineteenth-Century France
University of Washington Press, 2008
Maria Loh, Titian Remade: Repetition and the Transformation of Early Modern Italian Art
Getty Research Institute, 2007
T.J. Demos, The Exiles of Marcel Duchamp
MIT Press, 2007
Tamar Garb, The Painted Face: Portraits of Women in France, 1814-1914
Yale University Press, 2007
David Bindman, Stephen Hebron and Michael O'Neill, Dante Rediscovered: From Blake to Rodin
Wordsworth Trust, 2007
Mechthild Fend and Daniela Bohde, eds., Weder Haut noch Fleisch: Das Inkarnat in der Kunstgeschichte
Gebr. Mann Verlag, 2007
Andrew Hemingway, ed., Marxism and the History of Art: From William Morris to the New Left
Pluto Press, 2006
Frederic Schwartz, Blind Spots: Critical Theory and the History of Art in Twentieth-Century Germany
Yale University Press, 2005
![Tom Gretton (foreword), David Bindman (introduction), Slade Prints of the 1950s](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/gretton-slade.jpg?itok=bOKiW_OS)
Tom Gretton (foreword), David Bindman (introduction), Slade Prints of the 1950s
University College London, 2005
![Alison Wright, The Pollaiuolo Brothers: The Arts of Florence and Rome](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/wright-pollaiuolo.jpg?itok=0p1Bfpy2)
Alison Wright, The Pollaiuolo Brothers: The Arts of Florence and Rome
Yale University Press, 2005
![Briony Fer, The Infinite Line: Re-Making Art after Modernism](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/fer-infinite.jpg?itok=gwkKzLqN)
Briony Fer, The Infinite Line: Re-Making Art after Modernism
Yale University Press, 2004
![Tom Gretton, Zoe Kahr, Thamas Latham, Jordan Rose and Sue Walker, The Hero At Home in France: Lithographs by Nicolas-Toussaint Charlet 1792-1845](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/gretton-hero.jpg?itok=ZeGPgZ5w)
Tom Gretton, Zoe Kahr, Thamas Latham, Jordan Rose and Sue Walker, The Hero At Home in France: Lithographs by Nicolas-Toussaint Charlet 1792-1845
University College London, 2004
![David Davies and John H. Elliott, El Greco: Essays](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/davies-elgreco.jpg?itok=3fq2cplj)
David Davies and John H. Elliott, El Greco: Essays
National Gallery, 2003
Joseph L. Koerner, The Reformation of the Image
University of Chicago Press, 2003
David Bindman, Ape to Apollo: Aesthetics and the Idea of Race in the 18th Century
Cornell University Press, 2002
![Andrew Hemingway, Artists on the Left: American Artists and the Communist Movement, 1926-1956](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/hemingway-left.jpg?itok=yLg8qbRE)
Andrew Hemingway, Artists on the Left: American Artists and the Communist Movement, 1926-1956
Yale University Press, 2002
Bruce Boucher ed., Earth and Fire: Italian Terracotta Sculpture from Donatello to Canova
Yale University Press, 2001
![David Bindman, Frédéric Ogée and Peter Wagner eds., Hogarth: Representing Nature's Machines](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/bindman-hogarth.jpg?itok=oLQLEmXj)
David Bindman, Frédéric Ogée and Peter Wagner eds., Hogarth: Representing Nature's Machines
Manchester University Press, 2001
Christopher Wilson, The Gothic Cathedral: The Architecture of the Great Church 1130-1530
Thames & Hudson, 2000
![Briony Fer, On Abstract Art](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/fer-abstract.jpg?itok=wWdZLAME)
Briony Fer, On Abstract Art
Yale University Press, 2000
William Vaughan and Helen Weston eds., Jacques-Louis David's Marat
Cambridge University Press, 2000
![David Bindman, The Divine Comedy: William Blake](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/bindman-divine.jpg?itok=H16wkMMe)
David Bindman, The Divine Comedy: William Blake
Bibliothèque de l'image, 2000
![Patricia L. Rubin and Alison Wright, Renaissance Florence: The Art of the 1470s](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/wright-florence.jpg?itok=8drTuIDU)
Patricia L. Rubin and Alison Wright, Renaissance Florence: The Art of the 1470s
National Gallery, 1999
![Bruce Boucher, Italian Baroque Sculpture](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/boucher-italian.jpg?itok=C01Tu2HB)
Bruce Boucher, Italian Baroque Sculpture
Thames & Hudson, 1998
Andrew Hemingway and William Vaughan eds., Art in Bourgeois Society 1790-1850
Cambridge University Press, 1998
Tamar Garb, Bodies of Modernity: Figure and Flesh in Fin-de-Siecle France
Thames & Hudson, 1998
Bruce Boucher, Andrea Palladio: The Architect in His Time
Abbeville Press, 1998
![Alison Wright and Eckart Marchand eds., With and Without the Medici: Studies in Tuscan Art and Patronage 1434-1530](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/wright-medici.jpg?itok=v-NDFG6_)
Alison Wright and Eckart Marchand eds., With and Without the Medici: Studies in Tuscan Art and Patronage 1434-1530
Ashgate, 1998
David Davies and Enriqueta Harris eds., Velázquez in Seville
National Galleries of Scotland, 1996
![Frederic Schwartz, The Werkbund: Design Theory and Mass Culture Before the First World War](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/schwartz-werkbund.jpg?itok=e5xLt5iw)
Frederic Schwartz, The Werkbund: Design Theory and Mass Culture Before the First World War
Yale University Press, 1996
David Bindman, Roubiliac and the Eighteenth-Century Monument: Sculpture as Theatre
Yale University Press, 1995
![Linda Nochlin and Tamar Garb, The Jew in the Text: Modernity and the Construction of Identity](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/garb-jew.jpg?itok=AEHGcDqV)
Linda Nochlin and Tamar Garb, The Jew in the Text: Modernity and the Construction of Identity
Thames & Hudson, 1995
Tamar Garb, Sisters of the Brush: Women's Artistic Culture in Late Nineteenth-Century Paris
Yale University Press, 1994
David Bindman and Gottfried Riemann eds., Karl Friedrich Schinkel: The English Journey
Yale University Press, 1993
![Diana Dethloff ed., Drawing: Masters and Methods: Raphael to Redon](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/dethloff-drawing.jpg?itok=H_kPySYv)
Diana Dethloff ed., Drawing: Masters and Methods: Raphael to Redon
Royal Academy of Arts, 1992
![Andrew Hemingway, Landscape Imagery and Urban Culture in Early Nineteenth Century Britain](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/hemingway-landscape.jpg?itok=gVltth29)
Andrew Hemingway, Landscape Imagery and Urban Culture in Early Nineteenth Century Britain
Cambridge University Press, 1992
Bruce Boucher, The Sculpture of Jacopo Sansovino
Yale University Press, 1991
![Jill Lloyd, Primitivism and Modernity in the Art of Die Brucke and Emile Nolde before 1914](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/00-blank-book.jpg?itok=8pCglnV7)
David Davies and Helen Weston eds., Essays in Honour of John White
University College London, 1990
![David Davies, El Greco: Mystery and Illumination](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/davies-elgreco2.jpg?itok=F8N5tWu8)
David Davies, El Greco: Mystery and Illumination
National Galleries of Scotland, 1989
![David Bindman, Shadow of the Guillotine: Britain and the French Revolution](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/bindman-guillotine.jpg?itok=3tlZjC94)
David Bindman, Shadow of the Guillotine: Britain and the French Revolution
British Museum, 1989
![Jill Lloyd, Primitivism and Modernity in the Art of Die Brucke and Emile Nolde before 1914](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/00-blank-book.jpg?itok=8pCglnV7)
Jill Lloyd, Primitivism and Modernity in the Art of Die Brucke and Emile Nolde before 1914
1988
John White, Studies in Late Medieval Italian Art
Pindar Press, 1984
John White, Studies in Renaissance Art
Pindar Press, 1983
![Tom Gretton, Murders and Moralities: English Catchpenny Prints 1800-1860](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/gretton-murders.jpg?itok=__YAaanV)
Tom Gretton, Murders and Moralities: English Catchpenny Prints 1800-1860
British Museum, 1980
![William Vaughan, German Romantic Painting](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/vaughan-german.jpg?itok=kr9iYzfW)
William Vaughan, German Romantic Painting
Yale University Press, 1980
![John White, Duccio: Tuscan Art and the Medieval Workshop](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/white-duccio.jpg?itok=lc38YzW1)
John White, Duccio: Tuscan Art and the Medieval Workshop
Thames & Hudson, 1979
![William Vaughan, German Romanticism and English Art](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/vaughan-romanticism.jpg?itok=F5jaCrrH)
William Vaughan, German Romanticism and English Art
Yale University Press, 1979
![William Vaughan, Romantic Art](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/vaughan-romantic.jpg?itok=wco77O7z)
William Vaughan, Romantic Art
Thames & Hudson, 1978
![William Vaughan, Romanticism and Art](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/vaughan-romaticismandart.jpg?itok=mYy4iCMT)
William Vaughan, Romanticism and Art
Thames & Hudson, 1978
![Deborah Howard, Jacopo Sansovino: Architecture and Patronage in Renaissance Venice](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/howard-sansovino.jpg?itok=Bk9DDp8n)
Deborah Howard, Jacopo Sansovino: Architecture and Patronage in Renaissance Venice
Yale University Press,1975
![William Vaughan, Caspar David Friedrich 1774-1840](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/vaughan-friedrich.jpg?itok=Crhlz4rI)
William Vaughan, Caspar David Friedrich 1774-1840
Tate Gallery, 1972
![Frank Whitford, Eduardo Paolozzi](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/whitford-paolozzi.jpg?itok=dnf1eQzZ)
Frank Whitford, Eduardo Paolozzi
Tate Gallery, 1971
![Frank Whitford, Expressionism: Movements of Modern Art](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/whitford-expressionism.jpg?itok=TO7TeJbP)
Frank Whitford, Expressionism: Movements of Modern Art
Hamlyn, 1970
![Angelina Ottino della Chiesa, introduction by Leopold Ettlinger, The Complete Paintings of Leonardo da Vinci](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/ettlinger-davinci.jpg?itok=hTFOixJp)
Angelina Ottino della Chiesa, introduction by Leopold Ettlinger, The Complete Paintings of Leonardo da Vinci
Weidenfeld and Nicolson, 1969
![Ettor Camesasca, introduction by Leopold Ettlinger, The Complete Paintings of Michelangelo](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/ettlinger-michelangelo.jpg?itok=CfRB6s2p)
Ettor Camesasca, introduction by Leopold Ettlinger, The Complete Paintings of Michelangelo
Weidenfeld and Nicolson, 1969
![John White, Art and Architecture in Italy 1250-1400](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/white-italy.jpg?itok=A6hQQiM7)
John White, Art and Architecture in Italy 1250-1400
Penguin Books, 1966
![Ernst Gombrich, Norm and Form: Studies in the Art of the Renaissance](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/gombrich-norm.jpg?itok=LPnpW-xn)
Ernst Gombrich, Norm and Form: Studies in the Art of the Renaissance
Phaidon, 1966
![Leopold Ettlinger, The Sistine Chapel before Michelangelo: Religious Imagery and Papal Primacy](https://www.ucl.ac.uk/art-history/sites/art_history/files/styles/medium_image/public/ettlinger-sistine.jpg?itok=1oSnhPu-)
Leopold Ettlinger, The Sistine Chapel before Michelangelo: Religious Imagery and Papal Primacy
Clarendon Press, 1965