Recently Completed PhD Students Thalia Allington Wood Grounded: Unearthing the Materiality of Sculpture and Mythic Space in Sixteenth-Century Italy Alexandra Ault Proof of the proof: the Printsellers Association and fine art publishing c 1847-1920 Gabe Beckhurst Leave No Trace: Environment, Identity and Affect in Artists’ Video, Photography and Performance, 1970-2008 Helene Engnes Birkeli Automating Inquisition: Censorship of Gender and Sexual Expression in Online Content Moderation Julie Bonzon Identity in protest: The Market Photo Workshop and the new generation of South African photographers Corinna Canali Automating Inquisition: Censorship of Gender and Sexual Expression in Online Content Moderation Afonso Dias Ramos Imageless in Angola: Living through the aftermath of war. Reinventing the photographic medium in a transnational age Katarzyna Falęcka Archival Excavations: Photography, the Algerian War of Independence (1954-62) and the Afterlives of Images Freya Field-Donovan A Strange American Funeral: Proletarian Dance in 1930s America Kelly Freeman Skeletons of Iron & Bone: Architecture and Display in the Nineteenth-century Museum of Natural History Bea Gassman de Sousa 'Nigerian Modernism as an African epistemology' Michael Green Thinking Back: Artistic Returns to H.D. Diva Gujral Picturing non-alignment: Photography, nation, identity in India, c. 1950-1975 Sophie Halart A Tight Fit: Skin and the Feminine in Argentine and Chilean Contemporary Art (1973-present) Alison Harpur Visual Culture and the Council of Ferrara-Florence (1438-1445) Catherine Ingrams Immanent forms and latent creatures: artistic networks in Italy, 1947-1958 Chloe Julius 1990s ‘Jewish Art’ in the Context of Twentieth-Century American Art and Criticism Anna-Maria Kanta Re-Imagining the Public: West German Intermedia Practices in the 1960s and 1970s Stefani Kavda Cleaning of Poly(methyl methacrylate) (PMMA) Objects in Design Collections: A Study of Gel-based Cleaning Systems Stephanie King (Re)Mediating Under-Employment: Towards an Instrumental Practice in Neo-Liberal Britain (1974-1997) Ivan Knapp Meme-work: Psychoanalysis and the alt-right Talia Kwartler Suzanne Duchamp Does More Intelligent Things Than Paint Sena Lee Re-Framing Mythological Pictorial Space in Seventeenth-Century Italian and Spanish paintings. Mallika Leuzinger Dwelling in Photography: Amateur and Domestic Practices in South Asia Euan McCartney Robson A Cathedral Encountered: Stories and Storytelling in Medieval Durham Edward McDonald-Toone Curating the 'Middle East': Exhibitions and the reception of contemporary art from the Arab world and beyond Sophie Morris Muscles, Manners and Motion: Theatrical Anatomy and Print Culture in Seventeenth-Century London Gabriella Nugent The Legacy of Belgian Colonialism in Contemporary Lens-Based Art on, of and from the Democratic Republic Congo Ben Pollitt Sympathy Unbound: Dissonance and Attachment in the Pacific Works of John Webber Anne Reimers Visual Culture and the Dynamics of Fashionability in Weimar Berlin Lauren Rozenberg 'Bere in thy mynde’: Phantasms, Parchment and Late Medieval Visual Culture. Kimberley Schreiber Photography and the American Carceral State, 1964-1980 Moran Sheleg How to Make a Past: Painting since Reinhardt Tom Snow Istanbul 2009-2013: Activism and the Politics of Art in the Neoliberal Economy Cecilia Stinton Embodying Abstraction: The Multimedia Works of Wassily Kandinsky, Natalia Goncharova and Kurt Schwitters, 1909-1928 Olivia Tait Homestories: Performing & Visualising the Familial in West Germany, 1961-1989 Sarah Wade Species of Wonder: Human-Animal Relations in Contemporary Art and Visual Culture Rebecca Whiteley Picturing Pregnancy: A History of the Early Modern Birth Figure Andrew Witt Documentary and its Afterlives: California in Catastrophe Marta Zboralska The Art of Being Together: Inside the Studio of Henryk Stażewski and Edward Krasiński
Close
