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Slade School of Fine Art
2024 Degree Show

MA/MFA Degree Show: 8–16 June (Free, tickets via Eventbrite)

Open to the public: 10am–8pm weekdays, 10am–5pm weekends.

The BA/BFA Show finished on 23 May. Installation photos from the show can be seen on the BA/BFA Degree Show installation photos webpage.

  1. A large standing frame with grid and linen painting within.
    Untitled, Marianna Soukeras, 2024, steel, linen, rust , oil, 200 x 110 cm

    ©the artist

    Marianna Soukeras

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  2. Small aluminium cast of Slade building.
    Slade, Gabriele Ciulli, 2024, cast aluminum

    ©the artist

    Gabriele Ciulli

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  3. Coffee table height table-like form, upholstered in denim, with leather tassels nailed all of the way around the edge and draping on to the floor, standing on a white fur and shaggy denim skirt-like rug.
    Bronco, Bella Bradford, 2024, denim, wood, leather, nails, fur, upholstery fabric, foam, d: 90 x 140 x 100 cm​

    ©the artist

    Bella Bradford

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  4. Ceramic hand-sculpted bust of a woman with short grey hair with pink streaks wearing a bright purple wild swimming towelling dry robe. She has a single brow raised and an open mouth as if speaking.
    Dryrobe Warrior (Rhian), Abi Haywood, 2023, ceramic, steel, fabric, 170 x 60 x 70 cm

    ©the artist

    Abi Haywood

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  5. Conical steel bowl, with a handful of pistachio nuts in it.
    Bowl, Luca Vincentelli, 2024, steel, 70 x 70 cm

    ©the artist

    Luca Vincentelli

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  6. Bump!
    Bump!, Xinyu Han 韩新宇, 2024, oil on linen, 120 x 150 cm

    ©the artist

    Xinyu Han  韩新宇

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  7. Feathered biomorphic object on floor (London park and garden bird feathers), and shearling tucked into the gap between the wall and floor where a skirting board should be.
    Nestling (install image), Madeleine Bender, 2023, plaster casts, found feathers, shearling offcuts

    ©the artist

    Madeleine Bender

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  8. Helmeting: A director called a bunch of performers to f*ck the work on public transportation, cook and gamble their frequencies to solve a case , Zhuyang Liu, 4 channeled video 4K , installations, sound.
    Helmeting: A director called a bunch of performers to f*ck the work on public transportation, cook and gamble their frequencies to solve a case, Zhuyang Liu, 2024, 4 channelled video 4K , installations, modified synth stereo sound, CCTV

    ©the artist

    Zhuyang Liu

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  9. Screen shot of man from video game lying down with loading wheel with "New Albion is loading ... Something is wrong. We are working to fix it. Please be patient."
    New Albion is loading..., Freddie Sanders, 2024, still/screenshot from video game

    ©the artist

    Freddie Sanders

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  10. Netting and false hair
    Column (close up image), Bee Nicholls, 2024, textiles

    ©the artist

    Bee Nicholls

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  11. Henry vacuum with the word Howard replacing original branding.
    Howard, A. Howard, 2023, vacuum, 300 x 350 x 320 mm

    ©the artist

    A. Howard

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  12. Photo, blurred of woman walking past 3 red artworks.
    Jams, Hyeejin Bae, 2024, silkscreened strawberry jam on paper, 34.3 x 24 cm (each)

    ©the artist

    Hyeejin Bae

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  13. Installation of drawn rectangles of paper on wall and down to the floor.
    ' ', Onosiokhue Yakubu, 2023, 2024

    ©the artist

    Onosiokhue Yakubu

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  14. This is a picture of an amusement park in the background, with the fireworks and smoke in front of it so that only part of the structure of the amusement park can be recognised. The overall colour palette is red and the smoke and fireworks are yellow. There is a lot of sparkle in the image, as if it were the afterglow of a setting sun. In this work, the viewer can feel the silence that remains after the hustle and bustle, the grey flying away, and everything seems to have never existed.
    The garden, Xi Liu, 2024, oil on canvas

    ©the artist

    Xi Liu

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  15. Installation of artwork on floor comprising timber, walnut stain, picture frame hardware, fencepost bracket, flange, hinges, pipe clamps, scratched floor.
    Radar, Georgia Brady-Tompt, 2024, timber, walnut stain, picture frame hardware, fencepost bracket, flange, hinges, pipe clamps, scratched floor

    ©the artist

    Georgia Brady-Tompt

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  16. Installation shot of Aether.Exe.
    Aether.Exe, Henry Galano, 2023, 500 litres of water, tarpaulin, timber, black acrylic, 9.5 x 300 x 480 cm

    ©the artist

    Henry Galano

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  17. Abstract paper sculpture shown partially unfolded and resting between the wall and floor. Dark earthy pastel colour movement above transitioning into lighter areas below.
    Alone with you (IV), Lavinia Harrington, 2024, pastel sculpture, folded handmade paper, 135.5 x 94 cm (unfolded)

    ©the artist

    Lavinia Harrington

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  18. Images of "TO LET" sign printed on canvases, glitter stickers of "I" put in between "TO" and "LET"
    TOILET Sign, Yeye, 2023, canvas

    ©the artist

    Yeye (Jianye Qiu)

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  19. As I created different shapes of silicone with varying heights for the handrails, I wanted to observe the audience's response to the contrasting materials and heights. Due to the height difference between the handrails, it was interesting to watch the audience's posture as they reached for them. Also, with the various shapes and locations of the handrails, it was intriguing to see how people grasped them using different hand poses. Some individuals refrained from touching the handrail because it was perceived as artwork, while others simply wanted to interact with it. Thus, I was in a position to experiment with the audience. The irony in this work lies in the fact that, despite its focus on tactile experience and encouragement of touch, people found it challenging to grip the handrails due to the silicone. I introduced this obstacle to observe people's reactions to a unique object placed on a domestic and familiar item. The inspiration for the large vertical sculpture came from bus handrails. When we need to grasp a handrail in transportation or other situations where handrails are present, we often hesitate to touch or avoid grabbing handrails that are already being used by someone else, even if there is ample space to do so. The reason I named the work '73' is because it references the bus route from Kings Cross to Oxford Street, which I frequently take to go to college or spend time with friends. Therefore, as the longest handrail had more space than the smaller ones, people were more likely to grab and interact with it.
    73, Minsuh Song | 송민서, 2024, silicone, metal and makeup product

    ©the artist

    Minsuh Song | 송민서

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  20. Abstract painting.
    I remember them with my stomach, Meghan Salisbury, 2024, oil on canvas. 2 x 1.35 m

    ©the artist

    Meghan Salisbury

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  21. Floor-based sculptural installation. On the floor are two sculptures whose main feature are warm yellow plastic sandbags with a woven texture. These sandbags are installed in multiple layers and folds. The sculpture on the left has a long plank of pine wood going through the sandbags, other materials and objects emerge out of the layers of sandbags, such as geologic-looking bronze forms, sulphur crystals, pine needles, beeswax casts of the walls of Sicilian sulphur mine, and black volcanic sand. On the sculpture on the right hand side, the folds and curls of the sandbags are stronger. Emerging and peeking out of these folds are more beeswax casts of the sulphur mine walls, rivers of black volcanic sand, carob pods, a found snail shell stuffed with sulphur crystals, an iron pick axe used to mine raw sulphur, and a bronze cast of a bread, that lies on one edge of sandbag, as if it were lifting up the layers of sandbags, like turning the page of a book.
    N'arubarru lu suli, lu suli - They steal from us the sun, the sun, Natalya Marconini Falconer, 2024, woven polypropylene sandbags, beeswax wall casts of Gessolungo sulphur mine, iron pick axe, bronze bread cast, bronze offcuts, pine, pine needles, sulphur crystals, volcanic sand, carob pods, found snail shell, silicone and turmeric snail shell. Dimensions variable.

    ©the artist

    Natalya Marconini Falconer

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  22. A grey floor with colourful materials on it.
    Something remains, Cat Madden, 2024, mixed media installation: soft pastel, thread, tape, tinfoil. Dimensions variable.

    ©the artist

    Cat Madden

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  23. A still from a digital moving image performance. Two performers are sitting on the floor. The one on the left is crouching and holding the eyes of the performer on the right who is on their hands and knees as if crawling.
    Untitled, Roman Sheppard Dawson, 2024, digital moving image

    ©the artist

    Roman Sheppard Dawson

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  24. A mosaic of the character Toad of Toad Hall on top of cardboard on the left hand side and butcher shop tiles on the right hand side. The cardboard is engraved with the image of a car, but it isn't very clear. The work is in a aluminium v-slot frame.
    Infinite Customisation I, Joe Moss, 2023, aluminium v- slot profile, cardboard, tiles, mosaic, 57 x 75 cm

    ©the artist

    Joe Moss

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  25. Abstract painting, layered linen, canvas and burlap, and safety pins.
    indossare, worn, Maia Albarosa, 2024, safety pins, oil and acrylic paint on linen, canvas and burlap, ​​41 x 20 cm​

    ©the artist

    Maia Albarosa

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  26. Three small platforms in brown, yellow and green, with objects on placed on the top, piece of tarmac, green wire and stack of pink paper, photographed in a tennis court.
    KIT, Signe Eliza Pook, 2024, mixed media assemblage, 165 x 30 cm approx.

    ©the artist

    Signe Eliza Pook

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  27. Graffiti like marks carved in warm grey over a black and red striped canvas with a baby pink brushed glossy area, smudged grey in the middle left with a purple line jabbing into the bottom left area.
    Eurostar 2024, Marsi Rex, 2024, oil on canvas, 76 x 66 cm

    ©the artist

    Marsi Rex

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  28. Silkscreen on aluminium of cat sitting on a car.
    Cat/Car, I. MILLS, 2024, silkscreen on aluminium, 18 x 13 cm

    ©the artist

    I. MILLS

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  29. A black framed photo print on a white wall. It contains a badly Photoshopped image of Ryan Gosling vaguely helping a chef (an Asian person with in a chef’s jacket and hat, grinning at the camera) tend to the open flames from the pan on their left. There are more framed prints that have been cut off, revealing the chef also with Paul Mescal and Jacob Elordi.
    Wall of Fame (detail), Annie Lee, 2024 - ongoing, Framed photographs of various restaurant visitors with the chef, including white males Ryan Gosling, Jacob Elordi, and Paul Mescal. Part of a wider restaurant installation/experience. Dimensions infinite.

    ©the artist

    Annie Lee

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  30. Sculpture.
    Tail Of Tales, Scarlett Rose Pochet, 2024, latex, metal rods, waxen ribbons, 350 x 60 x 60 cm

    ©the artist

    Scarlett Rose Pochet

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  31. Eve Stotesbury, 2023

    ©the artist

    Eve Stotesbury

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  32. It is a life sized green flat body shape sculpture in a yoga downward dog pose on a pink yoga mat. It is stabilised by two rounded base on the hands and feet, with hand weights balanced on its hands and ankle weights on its ankle.
    Yoga Class: Downward Dog, Jane Wu, 2024, Jesmonite, Crystacal R Plaster, brusho powder, quadraxial fabric, hand weight, ankle weight and yoga mat, ​​135 x 73 x 23 cm​

    ©the artist

    Jane Wu

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  33. Postcard orientation, landscape of hills and red bunting.
    A sending Triangle, Isabella Sartori, 2024, watercolour collage, 4" x 6" inkjet print

    ©the artist

    Isabella Sartori

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  34. Installation photos, one close up of clay object, the other a wider installation shot.
    Fever/ Practice Love series, Bangyu Fan 范 邦宇, 2024, made-object, installation, clay, painting

    ©the artist

    Bangyu Fan 范 邦宇

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  35. A warm orange red and yellow screen printed knotweed plant. Collaged and cutout of paper in a tangled knot like form against a crisp white background.
    Knot a weed series, Grace White, March 2024, screen printed paper cutout, 1 m x 60 cm

    ©the artist

    Grace White

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  36. Film still of torso of a person wearing a tunic and loose trousers, a row of flower pots including one which has the words "trendsetter" and one with "I will survive" written on them.
    Perfect diaries, Qibing Yang 杨麒冰, 2024, video

    ©the artist

    Qibing Yang 杨麒冰

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  37. Landscape painting of a waterfall with a branch in the foreground.
    Mystic Reverie, Kamyar Baghestani, 2024, digital painting made with custom brushes, 30 x 21 cm

    ©the artist

    Kamyar Baghestani

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  38. Abstract lines and shapes form goldfish swimming accross the picture plain, a blurry male face, a pair of feet and a cat are among the objects hinted at, all obscurred by drips and scratchy marks.
    Goldfish, Marium M Habib, 2024, pencil, ink, gouache, watercolour, chalk pastel and charcoal on paper, 382 x 140 cm

    ©the artist

    Marium M Habib

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  39. A folded shape.
    Hold Me, Ya Luo, 2024, pastel on paper, 110 x 160 cm

    ©the artist

    Ya Luo

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  40. I mainly focus on memories, family, romance and identity. I avoid straightforward explanations, instead prioritizing emotional and sensory precision.
    Woe honor, Shuangyi Li, 2023, oil on linen, 106 x 81 cm

    ©the artist

    Shuangyi Li

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  41. Colourful abstract painting
    a tint of deconstruction,  Bluebell Selley

    ©the artist

    Bluebell Selley

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  42. A collection of 24 glass, metal, and ceramic decorative bells, suspended on a beam of wood using gold chain, from lowest to highest. The lowest note has the longest chain and the chains get increasingly shorter. The notes of some of the bells have been written on a small piece of paper and attached to each bell.
    24 Silent Notes Across 3 Octaves, Joe Shone Hatchwell, 2023, glass, metal, and ceramic bells, wood, chain, paper

    ©the artist

    Joe Shone Hatchwell

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  43. Abstract painting of dotted map elements.
    Map of A Semi-Private Park, Guanyi Chen, 2024, oil on canvas, 122 x 81 x 1.7 cm

    ©the artist

    Guanyi Chen

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  44. Portrait of a head looking over its left shoulder, light background.
    An Inclination, Lexia Hachtmann, 2024, monotype on Fabriano paper, 38 cm x 35.5 cm

    ©the artist

    Lexia Hachtmann

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  45. Abstract acrylic and oil painting on Hessian of a flower. The painting features curved and expressive marks made out of pink, red and yellow paint taking up the whole canvas. The background has transparent elements and hues of brown and black.
    She Bled, To Death and Transition, Eilen Itzel Mena, 2024, acrylic and oil on hessian, 120 cm x 170 cm

    Inspired by my memories of funeral floral arrangements, I employ the use of the flower motif to portray the liminal space my mother's body was in within the last 3 hours of her life. Layers of acrylic and oil paint on hessian express the complex and transitional space between life and death, the body and the spirit as well as faith and hopelessness. Vibrant hues ironically signal to the viewer that joy and faith sit amongst pain and despair, that light and rebirth sits amongst darkness and death.

    ©the artist

    Eilen Itzel Mena

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  46. This image has two white walls, the left wall reads:Welcome to my masterpiece/Nothingness, the right wall reads: The room is Full of ____. The left wall has two black curtains on either side.
    The Room Full Of _____.:The Art between Being and Not Being, Yihan Ma, 2024, multimedia

    ©the artist

    Yihan Ma

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  47. A row of three lightboxes with illuminated circular shapes containing strange otherworldly forms.
    Moon Studies, Shona Waldron, 2023, lightboxes, 30 cm x 30 cm each

    ©the artist

    Shona Waldron

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  48. Film still of open metal teal-coloured box on carpeted floor.
    Location (film still), Jem Crook, 2023, film 45:30

    ©the artist

    Jem Crook

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  49. An pencil drawing of a girl looking into the distance as she holds her little sister close, resting her chin on her sister's shoulder
    Bridge, Martha Burgin, 2024, graphite pencil on paper, 210 x 297 mm

    ©the artist

    Martha Burgin

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  50. Large snake shedding a skin of sequin fabric, tongue made of exercise band nailed to work with feathery grass.
    Skin Shed, Rex Townrow, 2024, dirty salvaged gold sequin fabric, old man's print rags, lover's exercise band, neon green 8mm rod, plaster, neon green Stipa grass, fixings miscellaneous, dimensions 2240 x 800 x 650 mm approx

    ©the artist

    Rex Townrow

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  51. Layers of black fabric cover different sculptural forms. Burnt coconuts surround them, and a “headboard” made from burnt wood boards stands by its side. At the back, a dried tree branch stands tall.
    Dona Flor, Delicious Putrefaction, Júlia Couto, 2024, fabric, steel, wood, tree branches, stone, coconuts, limes and plastic beads, variable dimensions, approx. 2 x 2 m

    ©the artist

    Júlia Couto

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  52. Abstract black and white drawing.
    Mercurius, Marika Tyler-Clark, 2024, charcoal on paper, 5 x 4 ft

    ©the artist

    Marika Tyler-Clark

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  53. Artwork black canvas, white writing, and a drawing near the top of the canvas in the centre.
    Untitled, Walter Winterburn, 2023, Posca pen and chalk on canvas, 92 x 79 cm

    ©the artist

    Walter Winterburn

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  54. Film still of a black and white shadowy figure holding a candlestick.
    I'm Afraid That's All We've Got Time For, Lara Baksu, 2023, film 32 mins

    ©the artist

    Lara Baksu

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  55. Installation photo of 2 x figures cut from sheet steel.
    Ship Mountain - You are just peeking, Bowen Zhang, 2024, mild steel sheet, plywood 2 x 1 x 0.5 m, 1.5 x1.2 x 0.5 m

    ©the artist

    Bowen Zhang

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  56. Medium sized painting which is mostly yellow with some pink space of a figure stretching and looking at the viewer.
    Positions, Ross Head, 2024, oil on canvas, 121 x 145 cm

    ©the artist

    Ross Head

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  57. Stacks of grass made with pH indicators.
    The Dying Grass and Rain from Home, Wanci Xie, 2023, pH indicators, collected rainwater, floral foam, wire, thread

    ©the artist

    Wanci Xie

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  58. Those who fight
    Those who fight, Betty Ogún

    ©the artist

    Betty Ogún

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  59. A brown knit sock hangs limply from a giant knitting machine needle.
    Failure 2, Steph Linn, 2024, knit sock (undyed shetland wool), forged steel knitting machine needle, 100 cm x 25 cm x 1 cm

    ©the artist

    Steph Linn

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  60. In this charcoal drawing a greyhound chases after a rabbit fleeing for its life. The mouth of the dog is opened, its nose drawn blurred into the rabbits tail, as they are so close to the moment of capture.
    Dog After Rabbit, Daya Belzer, 2023, charcoal on paper

    ©the artist

    Daya Belzer

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  61. Abstract drawing.
    Untitled 2, Yingjie Deng, 2024, pencil and pastel on wood, 10 x 15 cm

    ©the artist

    Yingjie Deng

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  62. Black and white film still of a lizard
    Ladon, Carla Geronimi, 2021, video, 6 mins, 12 secs

    @the artist

    Carla Geronimi

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  63. This piece is 85 x 60 x 15 cm. It is a metal hand rail attached to the wall with three pink ribbons holding up a blue transparent acrylic sheet which has lace laser etched onto the back of it.
    Held, Chloe Beddow, 2024, Lace etched onto blue transparent acrylic, pink satin ribbon, metal, 85 x 60 x 15 cm

    ©the artist

    Chloe Beddow

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  64. Triptych of screenshots. Migration is one of the most important issues in contemporary society. I try to use my identity as an artist to mine the collective memory for my creations. I hope to fully portray migration as a concept in conjunction with the new age of digital nomads. And start from the narrative perspective of history, purpose, path, and ending. Create integrated installations incorporating multiple media.
    The Great Migration, Jiemin Ren, 2024, integrated media installation, video, dimensions variable: 1440 x 2560 (2k)

    ©the artist

    Jiemin Ren

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  65. Multi-screens, wooden furniture, video installation
    Tomato Egg Noodles, Xiya Wang, 2023, multi-screens, wooden furniture, video installation

    ©the artist

    Xiya Wang

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  66. The image shows a painting of five concentric hearts in blue and yellow over a red background.
    for J.J., Gianluca Massa, 2024, oil on canvas, 22 x 20 inches

    ©the artist

    Gianluca Massa

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  67. Blue video still of foetus and the words "I think she and I are one".
    The Survival Swimming, Jiyoon Hong l 홍지윤, 2024, video still

    ©the artist

    Jiyoon Hong l 홍지윤

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  68. Voyage
    Voyage, Shiyue Li, 2024, mixed media, size variable

    ©the artist

    Shiyue Li

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  69. I made a hybrid creature based on a motorcycle’s frame that was covered by Jesmonite cast which has animal and part of vehicle shapes. And I used a methodology from clothing-making to make a fabric mould and each casted piece has a visible seam-line which looks like the creatures from part of clothing.
    Adjacent Mimicycle Nº1, Hansol Kim, 2023, Jesmonite, metal flakes, motorcycle part, car mat, threaded rod, bolts and nuts, leather, wire, kayak paddle, 57 x 157 x 54.9 cm

    ©the artist

    Hansol Kim

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  70. A frail wooden frame structure is leant against a wall. The frame is held together with various means including screws, string, plastic ties and plastic bands. The frame hosts various small objects, including plastic items, a broken key ring chain and part of a soft toy.
    Props, Michael Bradshaw, 2024, found and personal items and materials, and sourced repurposed wood 60 x 150 x 30 cm

    ©the artist

    Michael Bradshaw

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  71. Row of pink earthenware mugs hanging on hooks on wooden rail.
    Behind the Wall, Kate Harrison, 2024, timber, steel hooks, slab built earthenware ceramics, brush on rose pink glaze. 240 x 7 x 2.5 cm

    ©the artist

    Kate Harrison

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  72. Sneak in, wood, leather shoes, wood dye.
    Sneak in, Wei Xiong, 2023, wood, leather shoes, wood dye, 26 cm x 34 cm x 9 cm

    ©the artist

    Wei Xiong

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  73. A tall steel and aluminium a/v sculpture with cast bronze parts, 2 speakers and a CRT monitor.
    Desire Lines, Danny Pagarani, 2023, mixed media, 2000 x 3000 x 2000

    ©the artist

    Danny Pagarani

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  74. Freestanding tiny laser-cut pigeon, paper boat, and cardboard wave. light cast shadows for each object, overlapping to be a picture of pigeon crossing the sea on a boat.
    Waves Across, Ziyi Wang 王几, March 2024, laser cut metal, paper, cardboard, torch, print, dimensions variable

    ©the artist

    Ziyi Wang 王几

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  75. Installation shot of artwork, cloves, terracotta earthenware clay under radiator in studio.
    Redolence, Coral Harding, 2023, cloves, terracotta earthenware clay, 163 x 54 x 2.5 cm

    ©the artist

    Coral Harding

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  76. Moon for bulb and candle
    Moon for bulb and candle, Man Mei To, 2023, light bulb, epoxy resin, stainless steel, ​​dimensions variable​

    ©the artist

    Man Mei To

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  77. White sculpted foam flowers on a shoe rack.
    Fire Lilies, Natasha Solange Burton, 2024, foam clay and found metal shoe rack, 35 cm x 91 cm x 24 cm

    ©the artist

    Natasha Solange Burton

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  78. Abstract watercolour painting on paper depicting central lime green form with darker tones of green radiating out from and around form, merging with cerulean blue at top corners.
    Ether, Rose Shuckburgh, 2024, watercolour on paper, 115 x 165 cm

    ©the artist

    Rose Shuckburgh

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  79. Painting of foetus enclosed within a landscape against a night sky.
    The Word Made Flesh, Anna-Maria Cadell, 2024, oil on canvas

    ©the artist

    Anna-Maria Cadell

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  80. Painting of two separated scenes where a figure traverses from the left to the right while holding another figure.
    A Bit of Everything, LEMO (Chengcheng Li), 2024, oil on canvas, 150 x 210 cm

    ©the artist

    LEMO (Chengcheng Li)

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  81. Reflective rectangular object on tiled floor in room.
    Untitled 2, Raquel Yago Boj, 2024, archival digital pigment print mounted and framed, dimensions 62 cm x 52 cm

    ©the artist

    Raquel Yago Boj

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  82. A person massaging another person on the back, with hair dangling down from above.
    Massage, Jessie Yang Gao, 2023, graphite on paper, 40 x 80 cm

    ©the artist

    Jessie Yang Gao

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  83. Body of a rocking horse packed in a wooden structure and translucent plastic. The plastic is torn open partially revealing the body of the rocking horse.
    Untitled, Ed Burrell, 2024, heirloom rocking horse body, time capsule, packing plastic, pallet wood

    ©the artist

    Ed Burrell

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  84. Painting of a woman in bed leaning over to reach her glasses.
    Try to see clearly, Beatriz Santos, 2024, oil on board, 30 x 20 cm

    ©the artist

    Beatriz Santos

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  85. An A5 sized booklet of poetry with faint black and white 35mm photographs of water, aircrafts, roundabouts and grave markers.
    Preparing For Loss, Heir, March 2023, inkjet printed on Offenbach bible paper, 6gsm Kizuki Kozo, bound with hair. Dimensions: 21 cm x 14.8 cm x 0.3 cm

    ©the artist

    Lily Petch

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  86. Film still of a dream catcher.
    Night Breezes, Liangqi Yao, 2024, film still

    ©the artist

    Liangqi Yao

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  87. On a long, landscape-oriented wooden panel, a mythical creature sits in an open field. The creature has a central furry body with the head of a young woman extending on each side, each with their own pair of arms. In the lower right corner, a drawer can be pulled in and out, which is clutched by the painted hands of the creature.
    Asking my mother for my baby teeth, Ruth Speer, 2024, oil on built wooden panel with drawer, 61 x 32 x 5 cm

    ©the artist

    Ruth Speer

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  88. Diptych: flight deck on one side with butterfly, space shuttle the other, some parts obscured by black paint.
    mourning, Isidore Bishop-Sauve, cigarette tin collage burnt driftwood, ink, butterfly wing, 15 x 21 cm

    ©the artist

    Isidore Bishop-Sauve

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  89. Two objects, side by side on a wall.
    After, Before, Marla-Sunshine Kellard-Jones, 2024, found object, plywood, 20.5 cm x 47.5 cm x 12 cm

    ©the artist

    Marla-Sunshine Kellard-Jones

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  90. A drawing populated by work I had made and dreamed of making in my first year. Walking furniture, baleen buildings and pop-up book houses.
    A year’s population of frightened work, Jack Kinsman, 2023, ink on paper

    A drawing populated by work I had made and dreamed of making in my first year. Walking furniture, baleen buildings and pop-up book houses.

    ©the artist

    Jack Kinsman

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BA/BFA

MA/MFA